Sound recording is a genre or artistic technique? The meaning of the word "sound recording". Sound Recording Tools

Sound recording - this is one of the techniques of artistic representativeness in literature, which is based on the effect of the phonetic expressiveness of the word. Speech, organized in a certain sound way, has a great emotional-expressive power.

Than literary genres differ from receptions

Often asked a question: is the soundtrack a genre or an artistic device? Of course, this is a technique, a tool, by means of which the author can create enchanting works in any genre. In this context, it is worthwhile to say a few words about different genres of literature. It is customary to call genre a certain long-established system that unites works that have similarities in form or content. In form, literary creations can be divided into novels, short stories, novels, etc. In content it is, for example, the division of playwrights into drama, comedy or tragedy, and lyrical works - on an ode, epigram or elegy.

Genre features

If a novel is a great work with an abundance of characters, storylines, problems, then the story is a small form, usually it is limited to the narrative of one event in the life of one or more heroes. If the poem involves a serious lyric-epic narrative with a plot, then the lyric poem tells about the psychological world of feelings and experiences. Each of the genres has its own set of artistic tools to create greater expressiveness. Fine-expressive means, to which the sound recording belongs, are characteristic most of all for lyric and lyric-epic genres.

Poetry speaks a special language

Sound recording is the prerogative of poetry, which is why it is impossible to retell a phonetically perfected poetic work without losses with ordinary prosaic language. The main principle of enhancing the sound expressiveness of poetic speech lies in specially selected words, the sounds of which merge in a peculiar way, echo or, on the contrary, contrast with each other. This increases the imagery of words and presents an incredibly expressive picture before the reader's inner eye.

Sound Recording Tools

They are diverse. Among them, one can distinguish such a wonderful device as the selection in neighboring poetic lines of words with close sound. For example, Alexander Pushkin in the poem "The Bronze Horseman", in the description of "the city of Petrov", uses combinations of consonants "r", "t", "c" and rolling "p", why in the mind of the reader the face of a grandiose strict city, A stormy river, bound by granite, and tall, slender buildings. And in the poem "Poltava" Pushkin paints a portrait of the emperor, to whom he was delighted, through the repeated vowels "o", "a" in combination with the consonants "n", "t", "p". And before our eyes there is the image of a majestic king, keen on great ideas: he is "beautiful", and his look is "proud", "full of glory" and "clear." He - "feast", and his feast - this is not a table, filled with dishes, but the breadth and scope of the transformation.

Why we enjoy good poetry

Receiving a sound recording, in which several times repeated sounds are involved in the roll call, gives the listener a special aesthetic pleasure. These are the initial lines of the famous poem "The Sail" by Mikhail Lermontov, creating the music of space and the smooth movement of water. The same method of recording we see in the poem of Afanasy Fet "A Wonderful Picture". A special melody is in the poems of Sergei Yesenin and Alexander Blok, as well as in the lyrical creations of other brilliant poets.

Language of literary criticism

There are also own literary terms, which determine the sound recording: alliteration, assonance. They are conditioned by a certain consonance of either consonants or vowels. Alliteration is the intended repetition of the same consonants in a line. For example, in the third chapter of the novel "Eugene Onegin", in the description of the lunar night, when Tatiana is not sleeping, tormented by love, Pushkin uses the alliteration of the sound "n" in the ninth line of the sixteenth stanza. In the tenth line - this is a repetition of the consonant "d", in the eleventh - we see the alliteration "c", and in the next - "in".

Blessed verses not only give pleasure, they crash into memory. Often the headlines in which the author uses phonetic techniques, in addition to the will attract our attention. Sound recording (alliteration) is present, for example, in the title of Vladimir Mayakovsky's lyric poem "Poems about the Soviet passport", where consonants "c" and "t" are alternately repeated.

Sound record and meaning

Often, with the help of alliteration, the author manages to convey the inner meaning of the events described. So, in the poem of Constantine Balmont "I'm tired of tender words" the author achieves the semantic effect of disunity and rupture by repeating the "p" sounds in the words "to tear", "screaming", "lazuli" and "storms". He writes about them as a desirable state for himself.

Symbolism in sounds

Often, sound recording is a way to symbolically symbolize certain things. In the poem "The Mermaid", written by the eighteen-year-old Lermontov, the alliteration of the consonant "s" sounds in describing how the naiad tried to splash the silvery foam to the moon, gives us some kind of non-sound sensations. We feel a special state - a semi-fantastic, supernatural, reminiscent of a world of spirits and dreams. Also, the combination of sonorous consonants in the speeches of the Forest Tsar from the same ballad Vasily Zhukovsky conveys the half asleep, inhibited state of a deadly child.

Sounds and associations

Researchers are convinced that the phonetic system is able to create in the human consciousness a certain associative circle, when the sound of a word affects how we perceive it. Compare the words "cucaracha" and "valley", "lily" and "gnashing". The word "crystal", due to a combination of phonemes, draws in the imagination something fragile, transparent, light. And in the adjectives themselves, thanks to the alliteration of "p", "p", "c", this is the same meaning. Consonant sounds are trembling, caressing or rattling. With an intensified repetition of the sounds of "p", combinations of "gr", the poet manages to draw a rumble of rolling thunder, as Fedor Tyutchev does in "The Spring Thunder" or a hot brutal battle, as Pushkin suggests in the poem "Poltava." Since all phonemes are divided into poetic speech into sharp and gentle, quiet and loud, harmonious and disharmonious, the use of those or other becomes a bright stylistic means in the art arsenal of the master.

The power of alliteration

Alliteration as a successful speech technique is widely used in tongue twisters, some sayings and proverbs. Consonant sounds in the Russian language have a meaning-distinguishing function, they are much larger than the vowels. If we write down a word using only vowels, its meaning will not be revealed to us. For example, what will the combination of sounds "eeyeie" say? If we write the same word with some consonants, we will still read it: "zmeltrn". Encrypted word - "earthquake". Alliteration, which the sound recording represents, is in the literature the most common method. Nevertheless, do not underestimate the sound image of vowel sounds.

Mystery of Assonance

The repetition of the vowels in the line is called assonance. It is based on the repetition of stressed vowels, however unstressed, if they are not subjected to changes, can enhance assonance. In Lermontov's "Sail" the repeated vowel "e", growing into a roll of sounds "o", creates the impression of an immense spaciousness in which the boundaries of heaven and earth are indistinguishable. In the center of this picture, the tiny dot of a lonely sailer, vividly minted by a wide vowel "a," shines brightly.

There are repetitions of the phoneme "y" in the poem "Borodino": "Our ears are on the vertex ..." The assonance of the same sound in Balmont's poem "The Reeds" is beautiful.

Even more impressive is the combination of alliteration and assonance. In the "Reeds", for example, the dominant vowel "y" is successfully combined with the rustling phonemes "sh", "h". All this creates an atmosphere that the reader almost feels with hearing, sight, touch. Sound recording (assonance) perfectly manifests itself with alliteration in the poem of Boris Pasternak "Candle". The first line is replete with drawl "e", the second - deaf "c" and sonorous "l". All together gives us an amazing image of a winter night, in which the mystery of love takes place. And the lines caress the ear with an unsurpassed melody.

Contrast as an expressive technique

Sometimes a poet can use contrasting sounds as an expressive artistic instrument. So, in Balmont's poem "I'm tired ..." the combination of sounds that give rise to the feeling of bliss in the words "dreams", "words", "whole", "tired", "lullabies", "tunes" is sharply contrasted with the sounds in the epithets " Burning "," screaming "," clanking "," feasts "," exclamations ", in which there is a noise, an onslaught, a rapid movement.

Anaphora

Sound recording is also an anaphor, a stylistic device in which the phrase is based on the repetition of similar sounds at the beginning of each syntactic series (stanzas, hemistichia, etc.). A sound anaphora we see in the lines "A deep sleep will overtake you / Tearing the depths of thoughts." Sometimes anaphora is manifested in the repetition of equally sounding parts of the word, as in the poem "Prisoner" Lermontov, where the hero asks for a "black-eyed girl" and a "black-haired horse." A semantic anaphora can be used by authors building a poetic narrative on the repetition of whole words: "The rays do not yet reign / The singing of birds over the world is still not at all powerful." Sound repetitions can consist in the repetition of entire syntactic constructions: "I would be a military man / I would wear epaulettes". A kind of stanza anaphora - when one sound composition, expressed more often in one word or phrase, is repeated at the beginning of each subsequent stanza or at its end. An example can serve as a famous poem by Arseny Tarkovsky "Summer is past."

Union of tools

Anaphora is a faithful ally of another stylistic figure - gradation. The meaning of it is rooted in the gradual increase in emotional intensity: "The street is dreaming, the city is dreaming, the planet is dreaming in the cradle of the stars". Here the gradation is created by using anaphora and words lexically expanding the scope of the description.

Finally

We examined the meaning of the word "sound recording", we were convinced that genres and artistic devices are not the same thing, and the sound record can not be attributed to genres, but it can be considered an expressive and pictorial means in literary creation. We also examined some types of sound recordings and their features on the example of the creations of Russian poets.

Of particular interest are the principles of sound recording in works created in other languages, but this is already a topic of a separate study.