Natalia Arinbasarova (Natalia Arinbasarova). Biography, personal life, photo

One baby dreamed of becoming a ballerina, she dreamed of how she was dancing in a white tutu in Swan Lake, and everyone admired her light, fluttering movements. This girl - Natalia Arinbasarova - soon became famous throughout the world. As a child, she spent hours in front of an old cupboard with a darkened mirror and sewed herself packs of curtains. Natalia was born into a military family, a Kazakh by nationality, and a Polish refugee. There were a lot of children in the family, my mother spent the whole day working around the house. The family wandered from one garrison to another until finally settling in their native Alma-Ata.

Ballet

Natalia Arinbasarova, whose biography was just beginning, was able to get into the choreography school. It was destined to come true to her dream: in a year she was included in the list of the most gifted children. Ahead was a brilliant future and training in a choreographic school at the Bolshoi Theater.

Another medical examination took Natalya's crystal dream: the diagnosis of "heart disease" sounded like a verdict. She understood that she would not be able to practice professionally as a ballet. The school did not know about the diagnosis, and the girl tried in every possible way to avoid mandatory annual medical examination. Once, because of the confusion with the surnames, she got on set to Andrei Konchalovsky. She was immediately approved for the role in the film "The First Teacher."

The first role

The first meeting between the director and the future movie star took place under curious circumstances, because Konchalovsky first chose a completely different girl, and in the school they forgot to write down the name and in a hurry decided that Arinbasarova was chosen. When Natalya came to Konchalovsky, he looked at him in bewilderment, wrapped in a huge drape coat and a girl wrapped in a scarf. After examining the impeccable beauty of the future ballerina, he immediately decided to try and was amazed at how confident Natalia was in front of the camera. However, the girl was ahead of the exams, and after the tests she was not called by anyone for a month, she almost did not want to act when a telegram came calling her in Frunze for filming.

Natalia answered with a refusal, what caused such stormy rage Konchalovsky that he called her and cursed badly. As a responsible person, Arinbasarova realized that she was failing the director, and went to Frunze. At first, everything was acting on her nerves, as the make-up artists and the director, having called the girl too clean, began to model the image of the village orphan. First of all, she was cut off from her hair, smeared in glycerin and earth, and clothed in a frank dive. Looking at herself in the mirror, the girl barely managed to restrain her tears. When she saw the first footage, she was struck by the beauty that short, disheveled hair and relics could not spoil.

Star

Thus was born the star of Soviet cinema Arinbasarova Natalia Utevlevna. The debut was so successful that the girl was awarded the Venice Film Festival, bypassing Jane Fonda and Bibi Anderson. Leaving ballet school, Natalia entered the VGIK. Already from the first year she began to actively act in films. The most brilliant and successful work of those years was "Jamilya" based on the novel by Chingiz Aitmatov.

Directors felt: removing Arinbasarov, even in an episodic role, they doomed their films to success. There was something in her that fascinated the audience. On the set she acted like a real professional. Could endlessly lose the same scene, until it turned out a small masterpiece. Being very young, she felt with some sixth sense what her character should become, how she should move or talk. Her appearance spoke for herself, and the directors liked to shoot it close-up. The usual look of the actress was much more eloquent than any dialogue. Natalia Arinbasarova, photo of which overnight flew around the world and made her famous, continued to work on themselves. Like all ballet, she possessed amazing perseverance and diligence.

Years of becoming an actress

In VGIK Natalia was in the studio of Sergei Gerasimov, who from the very beginning favored the young star. He even took it in his film "At the Lake", introducing specifically a new character for Natalia into the script. She played her dream movie: she was assigned the role of a young ballerina, and the heroine Arinbasarova forever remembered Soviet moviegoers.

Natalia Arinbasarova, whose nationality is Kazakka by her father, considers herself more a European woman thanks to the education of the capital, but sometimes her explosive oriental character makes itself felt.

Andrei Konchalovsky

By the way, she played the ballerina, being already a mother, after all right after the filming of the "First Teacher" actress Natalia Arinbasarova married Andrei Konchalovsky. A year later she became Yegor's mother. Unfortunately, the family life with the director did not work out. The fact is that Konchalovsky was from the very beginning aimed at going abroad and creating there. In those days it was possible only after the marriage with a foreigner, and Natalia and her son did not fit into the grandiose plans of her husband.

Despite the divorce, Natalia Arinbasarova and Konchalovsky remained good friends, she was always grateful to him for bringing her to the cinema and made famous. In addition, Andrei was very attentive to his son Yegor and made possible his studies in Cambridge and Oxford. The natural talent inherited from both parents helped him to become a famous director.

Katya's daughter

Thanks to her amazing beauty Natalia Arinbasarova, whose personal life was the subject of attention of the whole "cine" party, very soon married a well-known artist and cameraman Dvigubsky. They had a daughter Katya, who later also became a director, despite the fact that she graduated from VGIK, and she was expected to have a brilliant career as a romantic actress. The girl was amazingly talented, she wrote several scenarios, shot a lot and she acted as a director.

In 1999, daughter of Natalia Arinbasarova Katya wrote a biographical book, which she dedicated to her mother. The book "Moon Roads" became a bestseller, barely seeing the light, so piercing was written the fate of a Kazakh girl who dreams of ballet and exploded all over the view of Soviet cinema, debuting in "The First Teacher." Natalia Arinbasarova, whose children received a brilliant education abroad, followed in the footsteps of their parents and moved into the film business, proud of Yegor and Katya.

Third marriage

Marriage with Dvigubsky, who was at first very happy, a few years later gave a break. Natalia parted with her second husband, linking her fate with the director Eldor Urazbaev. The new wife had her own children, and Natalia did everything to make them feel love and comfort in her father's house. She was at first difficult, but very soon she was able to win the love of the children of her husband. Their relationship continued even when the couple broke up.

Arinbasarova remembers with great love all her marriages, she says that all husbands were very respectful of her profession, helped in self-improvement and were always there at a difficult moment. She as a wise Eastern woman has always been interesting to her spouses, never locked up in family life.

Konchalovsky very well treated Katya, he even helped her, paying part of the amount for studying abroad. With Katya's own father, at first there were minor problems in the relationship, as the girl demanded attention and suffered at first because of her parents' divorce. Her real father is Eldor, who put her on her feet and gave her an excellent upbringing. Eldor was always at his side in a difficult moment, he helped with advice.

Strong woman

When Natalia broke up with Dvigubsky, or rather, he left the family, all the worries lay on the fragile shoulders of the actress. She not only earned money, but was a strict mother and a breadwinner of everything scarce. Left alone with her two children, she worked with redoubled force. Katya did not have anyone to sit with, she had to give it to a French boarding school for two years. Both mother and daughter were terribly worried about this fact, but there was no other way out. Later, Dzhelgubsky went to his native France and married there, and after many years committed suicide in his workshop. This was an absolute shock for Natalia and her daughter. The most terrible thing was that nothing foreshadowed such a tragedy, no one could explain this fatal act.

Late works

Arinbasarova continued working in the cinema. She starred in a huge number of paintings from famous Russian directors. Basically, these were typical roles, but the true talent of the actress was able to make them unforgettable and unique. The only atypical and characteristic image was given to her in the Pankratov-Black film "The Nipple System." Natalia played the role of an alcoholic, which was incredibly satisfying, as it was possible to imagine the facets of her talent in a new light. She longed to become part of the role, went to the nearest store And watched the life of the declassed elements, noticed how they talked and what they were wearing.Of course, the role turned out to be interesting, especially since the film was shot during the hard period of Gorbachev's "dry law." Many episodic roles also brought e As in the film "Russian Roulette", where she was remembered by the audience as a fragile girl-karatek.

Happiness

The creative life of the actress beats the key, she is constantly in sight, in demand by the directors. Natalia Arinbasarova, whose biography made a sharp turn as a child, is not afraid of change, it is alien to digging in the past, she is happy with every moment, next to her everything becomes warm and cozy.

Very interesting was the work in the epic Mansurov's "The Saga of the Ancient Bulgars." Natalia performs a lot, gives creative evenings, where she tells about her achievements and life situations. She is an excellent storyteller, and the audience adores such biographical stories, especially since the actress was close to many of the coryphaeuses of Russian cinematography. She herself says that when she was young she really wanted to play in Shakespeare, she pictured herself as Ophelia or Juliet, but it did not work out, apparently because of her inviting appearance. As she called her former mother-in-law, the mother of Andrei Konchalovsky, "pure Gauguin."

Lovely family

Arinbasarova philosophically refers to her age and to the fact that now she is shot much less, because it is impossible to get everything, but she is insanely happy as a grandmother, adores her granddaughter and often fumbles with her, helping her son and daughter-in-law in the upbringing of the child. Arinbasarova Natalia Utevlevna - a happy man, she is surrounded by her children and relatives. The actress is not afraid to grow old, she just has no time.