The early lyrics of Mayakovsky: features, originality

The early lyrics of Mayakovsky (poems "Port", "Night", "Nate!" And others) is considered a large-scale phenomenon in the art of the XX century. Among his works are plays and poems, critical articles, essays, drawings, satirical works. Mayakovsky's greatness lies in his creative individuality, through which he comprehended the secrets of poetic mastery and the laws of the scene. He skillfully owned the pen of the essayist and the painter's brush. However, Mayakovsky entered the consciousness of people as an original poet of the epoch of social revolution. In his works he captures key problems and events of his time.

Spirit of rebellion in the early lyrics of Mayakovsky

In his works, the author combined many means. They sounded powerful voice of that era. This was the period of preparation and accomplishment of the workers 'and peasants' revolution. The works show the epic scope of comparisons, metaphors. Weight and strength of rhythm are combined with publicistic passion. The lyric hero of Mayakovsky's early lyric poetry appeals to a mass audience. The author is often called a "tribune". There are many reasons for such a comparison in his works.

Thus, in the poem "At the top of his voice," which is considered to be largely final, he calls himself a "chief throat", an "agitator." Undoubtedly, this has its own truth. However, it would be incorrect to reduce the poems of Mayakovsky's early lyricism only to agitational and oratorical appeals to the public. In the works, love affirmations, and a good-natured grin, and a sarcastic irony are quite clearly traced. There is in them both sadness, sadness, philosophical reflections. The early lyrics of Mayakovsky, in short, are universal. It is diverse in the genre, multicolored in the intonational order.

Mayakovsky: the artistic world of the poet's early poetry

Very accurately about the property of the author's talent was expressed in his time by Lunacharsky. Hearing the poem "About this," he noted that he had known before, and after listening to finally convinced that Mayakovsky is the thinnest lyricist, despite the fact that he does not always understand this. In the author, this property was combined with his agitatorial, oratorical abilities. Lyrics, as a rule, is regarded as an artistic expression of the poet's inner world. It reflects his condition at one time or another. The real reality, the world of objective things are revealed in lyric poems through the experiences of their author. Events and phenomena usually do not get in the works of direct, direct images. They are imprinted in that reaction, in the feeling that they evoke from the author. This is also the earliest lyrics of Mayakovsky.

Poems could be devoted to a variety of phenomena - love or battles between classes, disputes about the appointment of art or travel abroad. The narrative of events is inextricably linked with the expression of the author's feelings and thoughts, the disclosure of his own "I". Reflections and emotions do not just give a specific emotional color to creativity. The artistic world of Mayakovsky's early poetry is manifested in the depiction of life phenomena and political events. The emotional component is also present in agitational-production masterpieces. It can be said without exaggeration that lyricism acts as a unifying and all-pervasive force in the poet's work, he can be seen even in those works that do not belong to the lyrical structure.

Contradiction of the author

Despite the presence of lyricism in poetry, Mayakovsky often opposes him. This, for example, can be seen in the work "Jubilee", where he talks about the perception of this direction "in bayonets." Polemically hostile reaction, meanwhile, goes through all the work of the author. In a particularly sarcastic form, he reacts to love topics. In the author's works there is a dissatisfaction with the traditional possibilities for self-disclosure. The constant search, the desire to expand the boundaries of creativity - the key ideas that proclaim the early lyrics of Mayakovsky. The writing of any work required scope for thought.

Emotional component

Everything that happened in life caused the author passionate interest. He had a special perception of events. Whatever happened in life, even at a considerable distance from it, he perceived as his own, bloody, deeply personal matter. The author's exceptional emotional reaction to the phenomena could not fit into the traditional lyrical forms. It required scope for expression. The themes of Mayakovsky's early lyricism are diverse. He writes about life, love, politics, history. All this does not appear in his works as a distant background. Each event in this or that sphere of life is the key object of the work.

The early lyrics of Mayakovsky are a completely new direction for the twentieth century. Unlike its predecessors, it broadly embraced social and political reality.

Beginning of work

Early enough Mayakovsky was carried away by underground revolutionary activity. Like many other underground workers, he was caught and imprisoned for 11 months in Butyrskaya prison, in solitary confinement. The fate of the future poet was decided by Stolypin. It was at his command that the prisoner was released. While in prison, Mayakovsky read a lot. After his release, he was seized by a passionate desire to work in art. He wanted to create a socialist direction. As a result, Mayakovsky entered the Moscow School of Architecture, Sculpture and Painting. Since that moment he has somewhat cooled to the revolutionary struggle. During the training he met with a group of young poets and artists. They called themselves the creators of the art of the future - futurists. All this in a special way influenced the early lyrics of Mayakovsky.

Specificity of works

Features of Mayakovsky's early lyric poetry consist in a mass of genre formations, a strained rhythm, unexpected comparisons, spectacular images. The surrounding reality for the author appears as a living organism that hates, loves, suffers. The poet humanizes the real world:

"The sheets of water under the belly were.
They were torn to the waves by a white tooth.
There was a howl of a pipe - as if lily
Love and lust with copper pipes. "

The work strikes a combination of incompatible in the traditional plan of figurative series. This produces a strong impression. Mayakovsky's early lyrics may or may not like, but it does not leave indifferent.

Entertainment

In his works the author creates vivid, memorable images. It is especially clear in such poems as "Port", "Morning", "And could you?". The author boldly combines in one line absolutely diverse concepts. Thanks to the amazingly accurate reproduction, the use of the strokes of reality, seen by Mayakovsky in an unexpected foreshortening, the lines are memorized, cut into memory. The author shows "the city's hell", where there is no happiness and joy. The landscape is dark and heavy: the scorched quarter, the crooked horses, the kingdom of the bazaars. On the roads are "tired trams", the sun at sunset seems to the author "flowing eye", the wind appears deplorable and gloomy. The city strangles and binds the poet, causing disgust in him.

Tragedy

The early lyrics of Mayakovsky are filled with sorrow, suffering, and experiences. This is clearly seen in the work of "I". The theme of loneliness manifests itself with different strengths in various of his poems: "Tired", "Listen!", "Cheap Sale", etc. In the work "To Himself Beloved" the author turns to the surrounding, his words are filled with pain, mental anguish:

"And to such,
like me,
Poke where?
Where is the lair for me? "

Love

Even in it the hero of Mayakovsky does not find salvation. He aspires to a comprehensive, great feeling - for less he will not agree. Having found such love, the hero does not cease to be unhappy and lonely. His feelings become desecrated and belittled by the influence of proprietary relationships. So, in the poem "Cloud in the pants" favorite rejects the hero, preferring philistine well-being. A similar motif is seen in the poem "The Man". In this work, the lover sold himself to the Lord of All, and the Poet got nothing. The author comes to the conclusion that true love does not belong in an ugly reality.

Motive

The hero of Mayakovsky's lyricism seeks to overcome loneliness. He goes to the people, reaches out to them, hopes to find support and sympathy for them. For a human, affectionate word, he is ready to give all his spiritual wealth. But he will be awaited by deep disappointment: he is not understood by anyone, nobody needs. He is surrounded by a faceless crowd. The lyrical hero also has rough features, in some cases he is even cynical. So, in the work "A Warm Speech to Some Vices," he "glorifies" the power of money, "mocks" the working people, "welcomes" sharper and extortionists. This is how his ostentatious cynicism, concealing true pain, tragic irony, is expressed. This mask is worn by the author because of the greatest despair, fatigue from unrequitedness, single combat with the philistines, the "hulk" of evil.

Subject

The early lyrics of Mayakovsky are full of social problems. His works laid the foundation of art, designed for the masses. The author's speech is "coarsened", simplified. In the work includes proprietary and everyday images. This indicates the absence of a connection between the poet and the futurists. In the works of the young author the principle of essence, objectness is realized. Distracted feelings and concepts are transformed into tangible, visible, real. Reification has in its creativity a militant humanistic character. In the works one can see what the Futurists lacked-social content.

Cultural Communication

Mayakovsky passionately preached new art. He even suggested that Pushkin and other classics be dropped from the "modern steamship." However, analyzing the essence of Mayakovsky's works, one can easily trace the connection with Russian culture, namely with the satire of Nekrasov, Saltykov-Shchedrin. The author followed classical literary traditions. In particular, there is a particularly clear connection with the works of Nekrasov, in which the key place was occupied by the illustration of the capitalist city. The humanistic pathos of Mayakovsky's work unites him with Gorky's literature. Thus, the title of the poem "Man" is indicative in this respect. However, the main thing that brings the author closer to the classics is the civic spirit of poetry, its lively response to contemporary phenomena.

Critical Pathos

The prerevolutionary poetry of the poet is closely connected with poems and acts as an introduction to them. In the works there is a motive of protest. The theme "people and poet" occupies a central position in the lyrics. The First World War became the most important test for many literary and artistic trends. It revealed their true nature, showed a genuine attitude to the interests of the nation, the needs of the people. Referring to his poem "War and Peace" at the beginning of the war, Mayakovsky politically sharply assesses its imperialist essence. In the work of the author began to intensify critical pathos. His voice called for a revolution, he spoke out against the imperialist slaughter. This can be traced in such works as "I and Napoleon", "You!" And others.

Tragedy of human existence

This theme is very clearly described in the lyrics of Mayakovsky. He speaks of the existence of a person in the conditions of capitalism, stands out as his ardent opponent. The poet in his works reveals the process of dehumanizing the feelings and people themselves, acting as a key property of bourgeois society. The author exposes the falsity of the Acmeists, illustrates the ostentatious, decorative nature of their optimism. Against the bourgeois world were sent poems about "well-fed Sytiny," "tweeted quail" poets, scientists, minions, about "leprosarium" - a capitalistic city.

The author says that the class society maims a beautiful and strong man by nature. In his works he openly expresses his hatred of the exploiters and his love for the people's lower classes, enslaved, destitute people, crushed by this system. He advocates the rise of a person's self-awareness. The capitalist system condemns the people to physical and spiritual extinction. The poet clearly understands this and forms the image of a rebellious hero. Conflict with the environment, which initially existed as a disunity with the crowd, subsequently begins to acquire an increasingly social focus.

In the course of strengthening socio-political motives in his work, the author goes farther from the formalism of the Futurists. In this respect, the differences between the pamphlet "You!" Are very revealing. And the work "Nate!". The first was written a year and a half after the second. The poem "Nate!" Shows Mayakovsky's mocking attitude to the crowd. It is characterized exclusively by external signs. Pamphlet "To you!" Has a pronounced political coloring. Here the author denounces not the philistine as such, but those who seek to cash in on the war.