Poets of Pushkin's circle: names, creativity

1810-1830-ies. Are considered the golden age of Russian poetry, which in this romantic era has achieved significant artistic success. This period can be safely called the beginning of the creative maturity of Russian literature. The central figure of the poetic process in the 1 st third of the 19th century was Pushkin. The first thirtieth anniversary is usually called Pushkin's epoch. Around the poet many writers were grouped, while some preserved their own intonation and handwriting in their works, while others imitated Alexander Sergeevich and formed the so-called Pushkin circle of poets.

The generality of literary art

There was no formal unification of the poets at that time. Poets of the Pushkin circle, whose list contains such names as Vyazemsky, Baratynsky, Yazykov, Delvig, were original and individual, with their own unique voice. They, one way or another, in their work depended on Pushkin's poetry, but did not occupy a subordinate position in relation to him, sometimes even argued and did not agree with him, and sometimes even completely opposed him to their own understanding of the problems and nature of poetry. Mainly it was peculiar to Yazykov and Baratynsky. Each poet, while approaching Alexander Sergeevich, tried at the same time to preserve his creative independence from him.

What then is the commonality of these poets? Despite the different lyrical handwriting, poets of the Pushkin circle had similar views on the world attitude and outlook. The message on this subject, by the way, is often asked to prepare students in literature classes, so the article will be useful to parents who help their children with homework. So, all the poets of Pushkin's Pleiades believed that poetry is an art of harmony that brings harmony to the human soul. In moments of sorrow and sadness, people turn to verses, and they find comfort in them. Harmony Pushkin circle of poets considered a kind of ideal and the principle of the world, and poetry - the guardian of this ideal.

Denis Davydov

This is one of the most gifted poets, known in the 1810s-1830s, with an original poetic face. Gusar Denis Davydov is a poet of the pre-Pushkin generation who invented the mask of a fearless reckless warrior and at the same time a dashing merry-go-round. In the Russian battle lyric poetry, which differed in splendor, Davydov said his new words with his works. He invented a famously twisted, energetic, biting verse, often ending with a sharp aphorism. The most famous works of the poet are the following: An Essay on the Life of Denis Vasilyevich Davydov, written in the genre of autobiographical prose, and rich in factual materials, memoirs.

Pushkin admitted that he even studied with Davidov, tried to imitate him in the "twist of the verse." However, in ordinary life Alexander Sergeyevich did not wear masks, but remained himself, which can not be said of Denis Vasilyevich, who in his life began to try on the image of a dashing hussar poet and grew up with him.

Konstantin Batiushkov

Poets Pushkin circle, whose poems are written in the genre of romanticism, certainly in the process of creativity focused on the works of this Russian writer. After all, Batiushkova is called one of the pioneers of the romantic trend in literature. His creative legacy consists of poems, letters and prose articles. Konstantin Batiushkov entered the history of Russian literature mainly as a representative of "light poetry", to which belonged both Davydov, Bogdanovich, and Pushkin. This trend goes back to the traditions of the anacreontic style, when the joys of love, friendship, inner freedom and life in general are sung in verse.

Peter Vyazemsky

This poet perceived himself as a poet of modern times, but if at the beginning of the creative path he was in accord with the time in which he lived, then after 1837 he reinterpreted reality and, seeing its negative side, began to accept the past for the norm. Vyazemsky estimated his own destiny as a tragedy of a man who does not want and is not able to live in accordance with the foundations that were characteristic of his century.

Like other poets of the Pushkin circle, he found similarity of his poetic culture with the culture of Alexander Sergeevich. Two poets were close, and Vyazemsky even devoted works to Pushkin. They were both heirs of the 18th century, and since childhood they have absorbed love for reason and enlightenment. In his work Denis Vyazemsky gravitated toward traditional poetic forms: melancholic elegies, freedom-loving clothes, fables, parables, didactics and satire.

Anton Delvig

Like some other poets of the Pushkin circle, this poet reciprocated with Alexander Sergeevich in his youth. They met at the Lyceum, and friendship with Pushkin determined the further aesthetic and literary position of Delvig. In his works he propagandized the image of the poet as a "sloth of the young", embraced romanticism in the classic genres. Anton Delvig stylized ancient Greek and Roman poetic dimensions and forms, and in his lyrics recreated the conditional antique world, in which beauty and harmony reign. His sketches the poet did in the genre of anthological poems and idylls.

Nikolay Yazykov

The creativity of this poet in tone and content was completely different. In the literature of languages entered as a poet-student, which created him a kind of reputation. In his works there was the effect of cute immaturity, infantilism. Poets of the Pushkin circle perceived Nikolay Yazykov as a recent child who can afford risky antics and pranks. Turning to his younger friend, Pushkin exclaimed: "How shalish and how lovely you are!" Languages were delighted with their own abilities and abilities, so his speech is so natural exclamation intonations, solemn words and loud calls.

Finally

Of course, in the article we did not list all the poets of the Pushkin circle. This galaxy is very extensive, and besides those mentioned above, it includes Zhukovsky, Kiichelbeker, Krylov and others. The poetic fate of the poets, who at the same time worked with Alexander Sergeyevich, developed in different ways. Some came to the literary arena even before him (for example, Denis Davydov) and creatively developed independently of the "sun of Russian poetry", and only then joined his circle. But all the poets of the Pushkin circle - predecessors and contemporaries - were united by one: they created their works in the era that was held under the sign of Pushkin.