Film director Fomenko Petr Naumovich: biography, creativity, interesting facts

A prominent figure in theater and cinema, owner of his own author's vision and Fomenko's method, Pyotr Naumovich left a significant mark in the art of Russia. His film works are inscribed in the list of the best adaptations of the literary Russian classics. The creative way of the director was not easy, he had to overcome a lot before achieving self-realization.

Childhood and family

Petr Naumovich Fomenko was born in Moscow on July 31, 1932. The boy's dad died during the Great Patriotic War, there are only a few photos of his father and son. The main concern for the child lay on the shoulders of her mother, she was very fond of Petya and tried to make his childhood as happy as possible. Alexandra Petrovna came from a very intelligent, educated family from Novorossiysk. Her father was the deputy chief of the cargo port. During the Civil War, the family sheltered the wounded both from the Reds and from the White side. So in their house fell the red commander Naum Fomenko, in which the girl passionately fell in love and left for him to Moscow. After the war, Alexandra Petrovna worked as an economist for international relations in the department of Anastas Mikoyan. She was very fond of art, this feeling she passed on to her son, who loved music most of his life, became his guiding star in life and the basis of his creative method as a director.

As a child, Peter was engaged in a variety of sports: skating, football, tennis. These hobbies also stayed with him for life.

Path to the profession

Since childhood, Peter was engaged in playing the violin, he graduated from the Gnessin School, the music school Ippolitov-Ivanov. My mother dreamed that my son would become an outstanding musician, but at some point both mother and son realized that he could not make a great career in the performing arts, and the young man began to look for a different path. And in 1950 he entered the acting department of the Moscow Art Theater School from the first time. At this time the studio was the mainstay of the classical theater, and Fomenko, with his hooliganism and endless irony did not fit into her graduate concept. For 2.5 years of study, Peter was able not only to make friends with many classmates, but also to restore against himself almost the entire pedagogical staff, except Vershilov, who continued to engage with Fomenko, no matter what.

The future director constantly participated in the drawings and started a lot of prose, sometimes not harmless, and therefore from the third year he was expelled with the phrase "for hooliganism". Fomenko was very worried about this expulsion, besides, the financial question arose sharply, and he had to look for a variety of ways of earning money. But the main thing is that he needs to study somewhere to get a profession, and he goes to the philological faculty of MGPI, where he gets acquainted with a whole galaxy of remarkable people. They are Yu Vizbor, Julius Kim, Yuri Koval, Vladimir Krasnovsky, with whom he will be friends all his life and who helped him to finally decide on his future profession.

The Case of Life

Even in MGPI, Fomenko puts on skits, is engaged in the student theater, rehearses the "Stone Guest" and understands his true destiny.

At the end of the filming Fomenko Pyotr Naumovich goes to the director's faculty of GITIS, where during his studies he puts his first full-fledged play "Restless Legacy" based on the play by K. Finn. His teachers were N. Gorchakov, N. Petrov, A. Goncharov.

He graduated from the institute in 1961 and is eager to work, he is sure that he has found his destiny, he has creative ideas and ideas, now he needs only theater.

Theatrical wanderings

After graduation from the institute, Fomenko begins real troubles in the search for work. He works in several theaters, leads a studio in the House of Culture, collaborates with the student theater of Moscow State University. Petr Naumovich staged a performance at the Theater. V. Mayakovsky "Death of Tarelkin" based on the play of Sukhovo-Kobylin. The production is notable for its sharpness, irony, biting with satire and extraordinary, all this was excessive for the Soviet theater, and the play was banned after 50 shows, despite the deafening success of the audience. The staging of the "New Mystery Buff" at the Lensoviet Theater was severely censored, the play was given five times, but it was never allowed to be shown.

After this, it became even more difficult for Fomenko to find a job. He undertakes any work, but this does not give financial stability. In search of a permanent place of employment, Pyotr Naumovich goes to Tbilisi, where he works in the theater. Griboyedov two years.

In 1972, he moved to Leningrad, where he worked in the comedy theater until 1981. Here he puts 14 successful performances, in parallel, collaborates with Moscow theaters. Petr Naumovich Fomenko, whose photo is placed on the stands of the theaters of both capitals, is taken for any cause, in a year he has 1-2 performances. In 1982, he staged performances in the theater. Mayakovsky in the capital, since 1989 works in the theater. Vakhtangov.

Directed by Fomenko Pyotr Naumovich works a lot in other theaters, in all his creative life he has staged about 50 performances in different theaters of the world, not counting the productions in his studio.

A great movie

In 1973, Soviet cinematography was enriched by another master, then Fomenko Pyotr Naumovich came to the film directing. The real name of the creator has become a synonym for the filmmaker. Acting simultaneously as a screenwriter and director, Fomenko in 1973 makes the film "Childhood. Adolescence. Youth "based on the work of Leo Tolstoy.

In 1975, he takes a picture of the play by V. Panova "For the rest of my life." Here he also acts as a co-author of the script. A four-part picture of the hard work of military doctors during the Second World War is built on Fomenko's unique method of working with actors, they do not play it, but live and improvise in the frame. The tape received many laudatory reviews and a prize at the film festival in Georgia.

In 1977, Fomenko Pyotr Naumovich, a famous director by that time, removed the lyrical picture "Almost a funny story." The film sounds very atmospheric music and songs on the verses of J. Moritz, N. Matveeva, A. Velichansky. Here the director was able to show his new face, he makes it clear that he can be kind, gentle and even a little romantic.

In 1985, another Fomenko film, "A Trip on an Old Car", was released. This light comedy, based on E. Braginsky 's script , once again showed the audience a soft and lyrical director and became his last work in a big cinematograph.

Teatheater Fomenko

Fomenko Pyotr Naumovich was able to create his own unique format, filming television films. His screen version of the classical works of Russian literature have become a model of a careful and respectful attitude to the material. At the same time, these performances are not a boring retelling, but a creative rethinking of works. Films are distinguished by an extraordinary musicality and an inspired play of actors. In total, Fomenko produced 16 television films. Among them - "This lovely old house" by Arbuzov, "Tanya-Tanya" by the play O. Mukhina, "Love Yarovaya" by Trenev and, of course, splendid screen versions of Pushkin.

Pushkin and Fomenko

Pushkin's prose was for the director material for endless reflection and creativity. Petr Naumovich Fomenko, whose biography for many years was associated with the adaptations of Pushkin's novels, found great inspiration in the literary material. He twice makes films on "The Queen of Spades", and they differ not only in interpretation, but also in director's decisions. The famous film "Shot" with movie stars Leonid Filatov and Oleg Yankovsky became a trademark of Fomenko-film director. In 2012, he shoots the last teleprompot on Pushkin's "Triptych", in which he combined "Count Nulin", "Stone Guest" (whom he could not show to the viewer in his youth) and "Scenes from Faust", here the director's innovation was fully manifested And his deepest respect for the original material.

Pedagogical activity

Fomenko Petr Naumovich, in addition to directing more than 20 years, gave pedagogy. He published four courses at the Russian Academy of Theater Arts. Students say that Fomenko possessed an exceptional talent for the teacher, he inspired students, encouraged them to search, improvise, grow. Not in vain, they always have their own face, they will not be confused with anyone. With the students he puts the favorite classics of Gogol, Pushkin, Ostrovsky, Chekhov, teaches them not only admiration of the material, but also the ability to rethink the texts, creating modern images.

PN Fomenko Workshop

Among the loyal pupils of the director there was an original, author's theater of his name. Workshop Fomenko in 1993 receives the official status of the theater, in the repertoire of which - one classic. But the director and a team of like-minded people always find a new approach to traditional history, so the theater's performances are innovative and relevant. Many of them are awarded the highest awards and prizes. After the director left the life in 2012, the theater was headed by Yevgeny Kamenkovich, and the troupe continues the traditions of the master, continues to live.

Private life

Fomenko Pyotr Naumovich, whose personal life was different in variety and complexity, was twice married and had one big novel from which his only son was born. The first time he married in Tbilisi on the theatrical artist Lali Badridze. The second and last marriage with Maya Tupikova lasted almost 50 years. Despite this, Fomenko Pyotr Naumovich, whose family was a strong rear, allowed himself numerous hobbies. But his wife, a wise woman, understood that these were the costs of the creative nature of her husband, and forgave him for his weaknesses.

Interesting facts from the life of Peter Fomenko

In school years Fomenko was carried away by football, he chased the ball together Tolya Ilin, who many years later will become a famous football player. Petr Naumovich did not become a football player, but he was a passionate fan all his life.

Fomenko Pyotr Naumovich, whose nationality has repeatedly become the subject of his jokes and tales, all his life he considered himself a Russian director. Although in Soviet times he had to feel the negative influence of his origin. He told me, with characteristic irony, how during the practice at the Maly Theater, the strict head of the security department was benevolent toward the beginning director until he heard Fomenko's patronymic. As soon as he found out that he was Pyotr Naumovich, he immediately made the appropriate conclusions and began to fulfill his duties with determination, limiting the temporary admission to the theater for only one month.

In the years of unemployment, after deduction from the school-studio, Fomenko works a lot in the Moscow suburbs of culture, where he places classical works. He also found opportunities for his own interpretation. So, he staged the play "Cyrano de Bergerac" by Rostand, in which the main character moved around on a wheelchair, and the beautiful Roxana weighed more than a centner.