Chernova Tatyana: fidelity to the traditions of the Russian school of painting

Chernova Tatiana Nikolayevna was born in the northern capital, in the city on the Neva. There she received an art education, graduating from the Academy. VI Mukhina. She studied in the class of the famous artist SA Rotnitsky. Since 1983, Chernova Tatiana participates in exhibitions that are held in St. Petersburg. During this time she held eight solo exhibitions. In 2006, Chernova became a member of the Union of Artists of Russia, which was a significant stage in her work.

Style direction

It is based on the traditions of Russian impressionism, which fascinated our artists more than a century ago. The freshness with which reality is perceived, excites the heart and soul and, apparently, will be associated for a long time with our dream of the beautiful.

Landscape painting

Most of all the artist is attracted by the landscape. Chernova Tatiana lovingly depicts on its polonics views of cities, forest copses, seaside shores. It works only on nature, without fear of piercing wind, rain, snow, cold and heat. And as a result, in her landscapes we see life, not abstraction. And the viewer is increasingly attracted by the distinct and clear language of the painter, who does not put his "I" to the fore, but tries to honestly reflect on the canvas the reality that surrounds him. It is poeticized by the artist's loving gaze, her heightened sense of beauty. Everything that she sees and carries into her work - the shaky smooth surface of water, the flowering of herbs, old trees and thin slices, the heights of sky-blue with floating clouds - everything that causes admiration and captivates feelings, the artist Chernova Tatiana conveys sincerely and expressively. Her world is diverse, multi-colored and multicolored.

City landscape

Native live paintings of St. Petersburg attract the artist to the same extent as the exotic roofs of old Prague or the canals of Venice. Traveling the world, it reflects it in all its diversity. A narrow street in the Montmartre district gives an impression of the old Paris, which Alexander Dumas loved so much. Only times have changed, and in winding streets there is nothing terrible. Now this is a modern area, in the streets of which cars can not drive, so they are narrow. Their charm, bearing the scent of centuries, is enjoyed by modern Parisian pedestrians. On both sides the street is squeezed three-four-story plastered buildings with narrow windows. Several residents decorated the windows with boxes of flowers, because there is not a single tree and blade of grass on the street. It is animated by bright tents over small shops. A sign of the restaurant is visible. On the street are his tables, covered with white tablecloths and calling pedestrians to sit down for them. And in the distance the azure sky with snow-white clouds opens. His reflections give gentle shadows of the shadows on the cathedrals, whose domes are directed upwards. Harmony is the whole color spectrum, sustained in brownish shades. Bright color accents enliven it. Especially well changes the color of the stone cathedrals illuminated by the sun invisible on the landscape. There is no sun in the picture, but it filled it entirely. Bright, joyful and carefree this day.

Forest Landscape

It was written on the banks of the River Vjun. Chernova Tatiana has settled down with an easel on the very edge of a narrow meandering rivulet. Her shores were overgrown with lush herbs, through the thickets of which it is impossible to pass. In this wilderness there is a ringing silence, occasionally interrupted by a cuckoo. We know such rivulets, in the thickets of which turned out to be more than once. A city dweller wanders through the forest, and suddenly, as in this picture, a narrow water surface will shine, which plays gold in the sun, and in the shade reflects a blue sky that barely can be seen through the tops of trees. The whole bluish-greenish range perfectly shows the end of spring and the coming summer. Chernova Tatiana wrote a native landscape, which speaks directly to the heart and soul. It is close to many, living wooded places, where the nature still untouched by civilization is preserved.

Still life

With a special feeling and feminine understanding of the beauty of Chernova Tatiana writes flowers. Wild lilac brushes that do not fit in vases, magnificent scarlet poppies, whose beauty is instantaneous, and only transferred to the canvas, they can long please the viewer. On simple unpainted wooden steps there is a basket with cut poppies. Their magnificent heads shine with all shades of red - from sated to pink. Each petal is carefully written. They do not merge into one mass. Each of them is an individuality. And the dark foliage of the foliage, like the black ones with golden stamens of the core, only emphasizes the various shades of red. Poppies stand on the background of the wall, painted in light-green color. Two dark green undiscovered heads look particularly decorative on it. Macs are cut so many that they do not fit in the basket and fall to the floor. They contain all the riot of hot summer.

Recognizable handwriting, the manner that Tatyana Chernova uses. Pictures of her pleasing just a fresh look at the world - they do not have excessive effectiveness.