The image of Christ in the poem of the Bloc "Twelve": the ambiguity of the interpretation

For more than 80-year history of reflection on the final of the final product of the Blok, researchers of his work have accumulated a lot of work on this topic. The image of Christ in the poem of the Bloc "Twelve" was interpreted in different ways. The author himself refused to explain this poem rationally and logically. The most clear about the meaning of the final Blok's statement is a reference to the fact that he "saw", "self-evidence". He wrote in a diary in 1918, on February 25, which only stated the fact, because if you look at the blizzard on the way, you can see "Jesus Christ". Zakavychivanie this name is characteristic - this is an indication of its approximateness, conventionality.

Ambiguous attitude of the author to the image

It is not surprising in this connection that the subjective author was very dissatisfied with the image, said that sometimes he "deeply hates him." Blok called Christ "the feminine ghost." However, in the comments of this author there are very mysterious phrases. For example, the wish of Yu. Annenkov, the illustrator of the poem, about the cover. He pointed out that in the upper left corner it was "to die with thick snow," through which Christ would be seen.

Ambiguity, unmotivated

In the poem a lot of "accidentally", unexpectedly. So, the most traditional image in the Christian culture is filed very unconventional. He is not motivated by the plot, in addition, given in direct contradiction with the logic and tradition. Christ is shown almost as the leader of rapists and murderers, who reject the morality of the "iconostasis" (confirms this line "you need a diamond awn on your back "). The images of other heroes and the very space of the work also lose their uniqueness.

The Alogo of Christ

The "holy malice" that moves the armed mob is linked inseparably with the malice of the "black", which inevitably leads to "mortal boredom" (this motif in Blok's work characterizes the loss of the ideal, spiritual degradation, is also associated with images of the "terrible world"). The appearance in the final of the "invisible" Jesus is not only polysemantic. The image of Christ in the poem of the Bloc "Twelve" is illogical, created by combining characteristics that contradict each other. Therefore, he can not be deciphered by reasoning. This Christ is by no means a canonical one. Its shape is transparent, against a background of "placers" of snow is barely discernible.

"The feminine ghost"

The image of Christ in the poem of the Bloc "Twelve" is feminized: "white corolla of roses", "tender footsteps". All these are signs of what the author himself called manifestations of artistic nature, artistry, "feminine receptivity". There is in the entry of Blok, referring to 1918, and the direct likeness of Jesus to the artist. The semantics of the various color details in its image is also ambiguous. The "blood flag" is associated not so much with the revolutionary banners, their color, as with the blood spilled in the poem in its central episode. "White corolla of roses" can be understood as a detail of the image of the Madonna (allegorical), according to the artistic medieval tradition. However, at the same time another reading is allowed: as a symbol of withdrawal, oblivion and, as a final result, death, or as belonging to a funeral.

Sign of the presence of the author, his assessment of what is happening

The appearance of Christ in the finale, in any case, is not motivated by the internal structure of the text , nor is it related to the characters of the poem. It is a sign of presence in the author's work, the only one, but decisive. This is a lyrically subjective assessment by the Bloc of everything that is happening.

The author submits a revolutionary element in covering two truths, which do not combine with each other. On the one hand, this is an external emancipation of the lower strata of society. It consists in the inevitability of retaliation for former lack of freedom. However, on the other hand, this truth consists in spiritual liberation (that is, connected with the individual, personal principle) from power in the person who degrades him, everything that is in him of a low-bodily; From fighters' reflexes, biological instincts.

The semantic outcome of the poem

There is no carrier on this scene until the very last phenomenon. And it is only with a flashback that the posters, the vulgar figures of the heroes, are suddenly illuminating anew, creating a semantic multi-layered perspective. Disappear conditional, "amusing" scenery, there is only the image-symbol, the semantic "funnel", which draws into itself the different meanings of other imaginative signs of the ideal used by Blok - Stranger, Beautiful Lady and, most importantly, the lyric hero of the work. This is the finale of the lyrical creativity of Blok. The semantic outcome of this poem is the absence of a fixed outcome, tragically comprehended.

The ideological core of the work

Christ moves ahead of the "apostles," and then follows the "hungry dog" (in the poem it is the symbol of the old world). It's no coincidence that such an arrangement of heroes. This Blok emphasizes that the ideal will always go ahead, regardless of the need for it.

This is the image of Christ in the poem of the Bloc "Twelve", which constitutes the ideological core of the work. It is a symbol, not just rounded off, crowned with a poem, but gave new blessing to its term. The image of Christ in the poem of the Bloc "Twelve" is inexhaustible and many-valued. We can only try to get closer to the true meaning, even the author of the work is not explained. For this purpose, they write in the school work on the theme "The image of Christ in the poem of the Bloc" Twelve ". The writing usually causes difficulties, and this is understandable, because in the work there are no unambiguous estimates. Therefore, this final creation of Blok is considered in the school curriculum to be one of the most complex works.

If you want to write an essay on "The Image of Christ in the Blok's Twelve", the summary is unlikely to help. A thoughtful reading, analysis of the text, as well as independent thinking are required. Only then can one disclose in the work "The Image of Christ in the Blok's poem" The Twelve "" a symbol. What is the poet's idea? What did he want to say? These questions can be answered only knowing the lyrics of the poet, understanding the symbolist nature of his work.