Arts & Entertainment, Literature
Is the "Inspector General" contemporary? Gogol is really relevant
The heroes of the work are typical contemporaries of the author of "Dikanka": the mayor Skvoznik-Dmukhanovsky, who takes large bribes and knows everything about everyone; Judge Lyapkin-Tyapkin, who "executes justice" on the basis of personal gain and "turning the law as a drawbar"; Chronically cowardly inspector of colleges, "foul onions", afraid of both the authorities and subordinates; An unscrupulous curator of the charitable institutions of Strawberries (whose people in hospitals died like flies); Unsympathetic postmaster Shpekin, opening envelopes and reading letters "out of curiosity." The whole essence of the activities of power: externally - fussy efforts, deeper - bribery, theft showed NV Gogol. "Inspector" also clearly defines what motivates these people to work together. Everything is very simple: the fear of losing the "place" triggered by the governor. After all, everything is known about everyone. Everyone "sits on his pole". It is amazing that Anton Antonovich (the governor himself), breaking the law more than others, sincerely considers himself a bearer of morality and a believer.
A petty, insignificant official of Khlestakov, despised even by servant Osip, stayed by the way in a hotel in a provincial town. He follows in Saratov to his father. His success in the service - not brilliant. Father, apparently, is going to make his son "suggestion" and "reset" his career. But the twenty-three-year-old blunderer loses pocket money, remaining "on beans." At that time, the informative gossips and talkers, the landowners Bobchinsky and Dobchinsky, spurred on by the egoistic desire - the first to "calculate" the inspector who came to the city, decide because of their meanness that Khlestakov is an inspector.
Is the "Inspector General" contemporary? Gogol, incidentally, has long been familiar to Israeli theater audiences. The real success for the production of comedy came after the localization of the plot and its complete transfer to the soil of this country. The Israeli direction proceeds from the fact that the classical playwright Gogol gave the main thing - the instrument for staging the play, but the modern governesses, judges, trustees of establishments are much more sophisticated than those originally shown by the writer. Therefore, the production is done in a modern colloquial language, using slang. Success exceeded all expectations. The internal potential inherent in Gogol's idea allowed the author of the Israeli performance to write the script of the whole series later, which also proved to be in demand.
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