"War does not have a woman's face" - an essay. School essays on the theme of the Great Patriotic War

The war does not have a woman's face ... The writing on this topic is written by high school students, without realizing how much cruel truth in this phrase. The war was invented by men. But igniting it, they could not save their wives, daughters, mothers ... So it was, is, and, alas, will be. The article is devoted to the most disharmonious and unnatural picture in the history of mankind - a woman in war.

The most brutal war

The Great Patriotic War is the most terrible war of the 20th century. For her years the woman has learned to kill. She destroyed the enemy, who attacked her house with unprecedented cruelty. She undermined bridges, bombed and went to reconnaissance. She had no other choice.

Lyudmila Pavlichenko - Hero of the Great Patriotic War

Composition on a military theme can be dedicated to both the individual and the collective image. In domestic history, there are many examples of female heroism. One of them is the image of Lyudmila Pavlichenko.

Expanding the topic: "A woman in war," the work, no doubt, can be devoted to this extraordinary figure. The best sniper woman in the history of the Soviet Union had on her account three hundred deadly hits. Her heroism was admired, in her honor the sniper rifle is named. Pavlichenko dedicated songs, documentary and feature films. Once, in 1942, at a meeting with American journalists, she uttered the legendary phrase about gentlemen who hide behind her. She was applauded.

A heroine or a living legend?

Much is said about the heroism of this woman. There is an opinion that her exploits are somewhat exaggerated. The country needs heroes. Real or fictional. But besides Lyudmila Pavlichenko, several hundred Soviet girls and women served on the front. Unlike the legendary sniper, they had the right to tell about what they experienced. But they said little. Talking about war is a man's business.

A woman by nature is destined for the birth of life, but not for its destruction. But if you need to protect your home and your children, she will take up arms. And she will learn how to kill. But after that it will remain on her soul a heavy load, bleeding wound. A woman who takes life is always scary. Even if this life belonged to the enemy, the fascist and the occupier. After all, war does not have a woman's face ...

The writing about how the war can affect the fate of man can be written on the basis of artistic and historical literature. But it's better to refer not to the pretentious books about high-profile exploits, but to read the stories of simple eyewitnesses. They have less propaganda and more truth.

Truth and fiction

History is not about heroes and winners, but about ordinary people is the book "The war is not a woman's face." The composition will become much more truthful, if the theme is not the achievements of the legendary sniper, but the fate of ordinary women. Svetlana Aleksievich is the author who wrote about a woman in the war like no one. She was accused of excessive naturalism and the lack of patriotism. For her heroines, the war is burned faces after shelling, injuries from bullets and shrapnel. These are boilers with steaming porridge, which there is no one, because only one out of a hundred people returned from the fight only seven.

For Lyudmila Pavlichenko, war is only an implacable battle with a hated enemy. Memories of the Soviet sniper could not but be subjected to strict censorship. And because in them only a part of the truth. Believe can more women from the book Alexievich.

War is not only battles and victories. This set of terrible and disgusting trifles, forming a general picture, which can only be rendered by male eyes. Yet, the war does not have a woman's face ... The essay on Russian literature on the military theme should be as truthful and credible as possible. The young author must know that war is a crime. It maims and kills. And there are no winners in it.

I only once saw hand-to-hand ...

The Great Patriotic War made the poetess of it. The essay on the theme "Creativity of Julia Drunina" should be written, having first familiarized not only with her poems, but also with the biography.

Since childhood, she dreamed of a feat. The desire to participate in the Great Victory drove her into the military enlistment office on June 22. She made the first steps at the front as a nurse. Then there was the Khabarovsk school of junior aviation specialists. And finally - the Belarusian Front.

Before the eyes of Julia Drunina, young guys and girls were killed. Under fire, in the cold and mud, a seventeen-year-old girl from the Moscow intellectual family made her way with her fellow soldiers to the front line. She bandaged the wounded, starved, frozen, and saw corpses. She wrote poetry in the trenches. "Front poetry by Julia Drunina" is an interesting topic, which is worth devoting to the composition.

A man becomes stronger in the war, unprecedented resources are discovered in him. But the experience remains in the soul for ever.

Who says that he is not afraid at war, he knows nothing about the war ...

From childhood to the horrors of war - a motif that sounds even in the later verses of Drunina. Front nostalgia did not leave her until the last days of her life. The war did not leave the poetess even in time of peace. There were horrors, but there was also a real friendship. On the front line there is no deceit, no lies. And those who are brought up at the front, it is not easy to live in a world where material values are above all. Especially if it's a woman. It is more difficult for her to adapt and to change herself in a different way.

A terrible phenomenon that does not have the right to exist is a woman at war. The composition dedicated to the work of the poetess Julia Drunina should be based on this axiom. She lived for so long in her beautiful romantic world, and military horrors justified such boundless love for her homeland, that when this homeland died, there was no her. The poet died tragically in 1991.

And the dawns are quiet here ...

It's not a women's war ... The writing on literature on this topic can not be carried out without reading the story of Boris Vasilyev. On how women, along with men defending their homeland, this author said one of the first. Five lives were cut short before reaching the turn of 1945. They could give birth to children, and those - grandchildren, but the strings broke. This was the thought of Sergeant Vaskov, when he was preparing a grave for one of them.

Vasiliev had written many books about brave soldiers. The work "Man in War" can be written on the example of one of them.

Remarkable, but unfortunately, not an ideological raid film, based on the story of Vasilyev in 1972, does not convey the thoughts of one of the heroines who came to her mind in the last moments of life. In the wilds of the Karelian forests, leading the Germans, she fled and thought "How stupid to die at eighteen!". Even a heroic death to die a man who is just beginning his life, is always silly and monstrously ridiculous. Especially if this person is a woman.

Mother's field

The composition on the theme "Years of War" can tell not only about exploits on the front line. And the horrors of battles in it are not the main topic. There are worse things than bombs and shelling. The most terrible thing is the fate of the mother who survived her sons. The story of Chingiz Aitmatov is dedicated to women who overcame all the hardships of the war - hunger, daily exhausting work - but never waited for their children. Mother should not bury her son. With his death she will not be able to reconcile, no matter how valiant a feat he may have committed. Even if her son is a Hero of the Great Patriotic War. The composition of the work "Mother's Field" makes it possible to reveal the theme of the tragic fate of soldiers' mothers.

I came to Berlin to kill the war

These words were written on the wall of the Reichstag Sofya Kuntsevich - a girl who had carried more than 200 wounded from the battlefield. She and other women are devoted to the publicistic-artistic work of Svetlana Aleksievich.

This book is not about a big victory, but about small people. The author looked at the topic of war from a man who had not seen her. She learned about it from the words of the front-line workers. The stories and confessions that are set out in this work are pain and tears. And reading them, you see the true face of the war. It is not feminine, and not masculine. It is generally inhuman.

However, the book has lines that prove that war is not capable of killing a woman. She can not destroy in her the good and care laid by nature.

German prisoners, exhausted by hunger, are walking along the Russian village. On the roads that they had been trying to burn for five years, to wipe them off the face of the earth. And the Russian peasant women come out to meet them and offer bread, potatoes, everything they have. In the present they have a ruined house, in the future - beggars after the war. And life without men who have not returned. But even this could not destroy compassion in women's hearts.

The topic that should remain one of the most important in the school curriculum is the Great Patriotic War. The writing about women in the war is a difficult creative task. Victory took place not only because of man's courage and courage. War spares no one, and is always impartial. It is beyond the power of mankind to get rid of it. It does not yet have the necessary humanity and wisdom for this. But in the fact that in war there is no place for a woman, every man should understand every now and then from a young age.