How to learn to play the synthesizer? Program for learning to play the synthesizer

The synthesizer for today is a very popular tool that is in demand among amateurs and professionals of various directions and categories. Even for children who are going to master the musical spaces, parents acquire this particular instrument. But in order to master performing skills, you need musical abilities and certain knowledge of the theory. But in the event that your childhood passed without visiting the art school, and there is no desire to attract tutors, then it is quite possible to do it yourself and at any age. Is there any obstacle for a man who is obsessed with such a noble purpose? Before learning how to play a synthesizer, you need to get acquainted with this tool.

Tool options

In the synthesizer there is a tool bank with a division by types of timbres. With their help you can play an entire orchestra or solo on one of them.

Also in the synthesizer there are hundreds of minuses and arrangements, choosing which, it becomes possible to improvise and compose your own musical-rhythmic drawing.

With the built-in equalizer, you can easily adjust the desired frequency of sound. And with the auto accompaniment function, accompaniment of the song will be more colorful and bright, it is enough to choose the right rhythm and change the chords in the left hand in time. This option allows you to perform songs without knowing a musical notation. Before you learn how to play the synthesizer, you need to master the basic principle of performance: the right hand belongs to a melody (that is, what the soloist sings or plays), and the left - its harmonic accompaniment.

It is desirable to initially buy a simple, but high-quality model. In this case, it is worth paying attention to the keyboard, which should be a standard size. To do this it is necessary to then not have to retrain and get used to a normal instrument.

Teacher or self-study?

Buying this tool, you need to decide for yourself how to learn to play the synthesizer - with the help of a teacher or yourself. There are some differences here, and the most significant is that the student's correction and control is carried out with the help of a steady feedback between him and the teacher.

This relationship can be of several types. For example, one-sided is characterized by the assignment of the main role to the teacher. This kind is characteristic for musical schools, where the student has a low degree of freedom. They only perform a program of learning to play the synthesizer, and the teacher controls the child's activities.

Two-way feedback differs from the one mentioned above in that training takes place in the interests of the student and in the form of a dialogue.

But if you really have a great desire to master this tool, you have a hearing and the ability to self-control, analyze and search, then in this case you can start to develop yourself. Here, control is carried out by comparing its own performance with a certain standard (for example, video recordings, notes, etc.).

Self-Teaching

Typically, self-instruction manuals are divided into narrative (but sometimes demonstrating), as well as what is necessary to play, and contribute to the development of skills of independent creativity, that is, those that further explain why this is how we learn to play the synthesizer. Here these collections are especially valuable, but on condition of availability of the submitted material and use of an understandable musical material.

But, unfortunately, the main problem of a large number of tutorials is the very weak connection of an audio or visual example with the text.

An electronic or printed self-tutorial that does not have sound examples

Usually training on it involves outside help, and the control function here is at an extremely low level. After all, how to learn how to play a synthesizer without knowing the technique of performance and the poor reading skill of notes? It is very difficult to perform simultaneously two rather difficult tasks: to perform a work and to exercise control over the quality of one's own performance.

An electronic or printed self-tutorial that has sound examples

In self-tutorials on the game on any instrument, compulsory addition is the presence of sound examples. They are used as an auditory evaluation of the quality of the exercises performed, and also as a demonstration of examples.

But such sound examples will become effective only if you are able to connect them with textual information, that is, you have musical training. Also, there may be a situation where it is impossible to repeat exactly an example because the synthesizer lacks the necessary style or differences in the nature of the sound.

A major drawback of such self-instruction manuals is the absence of spaced fingering, used controls on the instrument, and much more, which causes considerable difficulties.

Video tutorials (video tutorials, video courses)

In the vastness of the World Wide Web, you can find not only commercial video courses, but also free tutorials and video tutorials. With their help you can understand how to play songs on the synthesizer only if visual-sound examples are demonstrated at an appropriate level. A significant disadvantage of such methods of teaching is the lack of the objectives of the course.

The quality of these video cubes depends on the quality of the material, picture and sound, as well as its presentation. But, unlike other types of self-tutorials, there is good controllability here. In addition to the fact that the student hears exercises and examples, he also sees the actions.

Literacy study

Training on a synthesizer does not involve any special difficulties, especially if the performer already has a certain level of musical literacy. If it does not exist, then it is necessary to study the very basics of music - notes, because without acquaintance with them it will be impossible to use the capabilities of the instrument.

So, having set a goal: "I want to learn how to play the synthesizer!" - the first thing that needs to be done is to master the musical notation. The keyboard of this power tool has the same structure as that of the pianoforte (notes are arranged in octaves). Therefore, before the two black keys there is a note "to". Where it is written (on an additional ruler), you can look at the display by clicking on this white key. Follow it in order all the notes.

As for the black keys, they correspond to the note and the sign adjacent to it. For example, the sharp is to the right of the specified note, and flat is to the left. Therefore, after seeing a note with a sign, press the black key.

Also you can not do without knowing the durations of notes.

Auto Accompaniment

Even learning how to play the synthesizer yourself is impossible without mastering the alphabetic system, with which the chords are denoted (capital letters denote major, and lowercase letters - minor). Usually, notes are written in one line, and over certain measures there are chord notations. They are pressed with the left hand alternately. For this it is necessary to take three sounds simultaneously, located through one key. But at first you can make it much easier. When you see a capital letter in front of you, it is enough to press this sound, and a full triad sounds. If you have a capital letter with a signed sign next to it, just press the corresponding key.

For minor it is required to press simultaneously two keys, where the first corresponds to the letter, and the second one - the third stage of the minor chord (three keys, including black) must be counted from the main one.

When the number seven is next to the letter, you just press both the main key and the adjacent white key at the left side.

This method only seems complicated. In fact, everything turns out to be very simple, just read the instructions to your instrument beforehand, as this chord system can differ from different synthesizer manufacturers. Another assistant will be a display, looking at which is much easier to control and correct errors. Initially it is recommended to train on light and famous songs.

Hand position and fingering

In order to feel comfortable when playing and not to allow a lot of mistakes, it is necessary to sit comfortably, but the main thing here is to watch the elbows. They should be located approximately at the level of the keys. Also on the synthesizer you can play and stand.

Even in the songs above the notes can be written numbers. This is the so-called fingering (the correct placement of the fingers). Usually it is present in notes for beginners and indicates which finger is more convenient to press this or that key. Here's how to learn how to play the synthesizer.