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Composition: the image of Ranevskaya in the play "The Cherry Orchard"

"Cherry Orchard" is Chekhov's last and decisive contribution to Russian drama. This work was the final in his creative path, but in it absolutely new style techniques were developed. The image of Ranevskaya in the play "The Cherry Orchard" is central in the plot. On the example of this heroine and other characters of the work, which has inspired dramatists around the world for over a hundred years, one can analyze the author's innovation.

Having begun work on the play in the spring of 1903, Chekhov had already completed it in the autumn. The premiere took place on the stage of the Art Theater. The production caused a stir in the cultural circles of Moscow. What is unique about this play? And why is the image of Ranevskaya in the play "The Cherry Orchard" firmly established in the history of literature and has become the subject of close study? In order to answer this question, it is necessary to outline the story in brief.

Scene

Events take place in the estate of one of the landlords. Her name is Lyubov Andreyevna Ranevskaya. This lady abroad went bankrupt and now, in order to get out of debt, she is forced to sell her family estate. The relatives of the landowner and close acquaintances gathered in the house. The image of Ranevskaya in the play "The Cherry Orchard" is not the most striking, but around him there are major events.

Plot

The only thing that can save the heroine and her relatives from the final ruin is the sale of the estate. A friend of the family - merchant Lopakhin - persuades Ranevskaya and her brother to use this chance. However, this will have to be cut down a huge cherry orchard, and this step its owners can not yet go.

It should be said that in this house no one hears anyone. Lopakhin insists on the sale of the estate, Gaia constantly expresses admiration for the picturesque garden, the adopted daughter wails about the proprietorship of the mistress. Everyone talks about his own. Meanwhile, something needs to be decided.

In the end, the estate is sold. His new master is none other than Lopakhin - a kind, active, but very uneducated man. Having taken possession, he immediately orders to cut down the cherry trees. The sound of an ax is heard ... This is all the content. But why did the critics of the image of Ranevskaya in the play "The Cherry Orchard" evoke such interest?

Life before ruin

The author of the work himself told the theater directors that it is not difficult to play this heroine. You just need to think up a way to laugh ... The image of Ranevskaya in the play "The Cherry Orchard" looms in the course of the play. It becomes clear that this woman was once devoid of cares. She was happy and inspired by the love and beauty that she could see around her. But the circumstances of life somewhat knocked her down: a young son perished, deceived and ruined his beloved.

Abroad, the owner of the estate fled from her grief. But life in France was complicated, uncomfortable. She had another huge dacha, but her lover lost it. Proceeding from these events, which the reader or theatrical viewer learns in the course of the action, we can conclude that the image of Ranevskaya in the play "The Cherry Orchard" has such characteristic qualities as kindness, impracticality, lightheadedness, dreaminess.

Daughter

From the conversation of heroes the reader also learns the details of Parisian life, which once again confirm the characterization given above. The image of Ani Ranevskaya in the play "The Cherry Orchard" somewhat shades the main character, emphasizes her infantilism. The daughter tells Vary that they could hardly get to Moscow - hardly enough money. That in Paris Ranevskaya lived in terrible conditions, but with all this on the way home at roadside restaurants she ordered exceptionally expensive dishes.

May garden

Ranevskaya's return is not only a forced trip to solve financial problems. It is also a return to the father's house, to everything most precious in life. The action takes place in late spring, when cherry blossom creates an atmosphere of magic in the garden. Not everyone can appreciate this beauty. But Ranevskaya and Gayev, unlike the enterprising Lopukhin, know how to see the beautiful. And so it is in these May days that the decision to sell the estate is so hard for them.

The image of Ranevskaya in Chekhov's play The Cherry Orchard is an opposition to Lopukhin. The mistress of the estate is a lady, although impractical and not adapted to life, but highly educated and refined. The merchant, on the contrary, is quick, active, but unable to comprehend the meaning of the literary work, the depth of the theatrical production, nor the beauty of the cherry orchard.

Wastefulness

The composition "The image of Ranevskaya in the play" The Cherry Orchard "is quite a common task in literature. The famous Chekhov heroine - the lady is extremely controversial. Analyzing its image, you will find something to think about.

Upon returning to the estate, she behaves strangely and irrationally. Instead of taking decisive action, she surrenders to sentimental memories, philosophical reasoning, arranges a fever ball on the day of the auction. Thoughtlessness, extravagance, weakness and lack of will - this is the true characteristic of the image of Ranevskaya in the play "The Cherry Orchard". This woman is not able to save the garden, which is not just a territory planted with cherry trees. By this act she betrays the memory and culture of her ancestors.

The heroine of the work of Chekhov is a collective image of representatives of the noble family, who at the turn of the century led a life of thoughtless, idle. The fault of the heroine of the "Cherry Orchard" is also her trouble. The loss of the estate is a payment for the frivolous life that she led, as, indeed, most of the intelligentsia in the late nineteenth and early twentieth centuries.

In this play, as in others, Chekhov does not have negative and positive heroes. To each the author relates objectively. After all, the enterprisingness of Lopukhin - a feature that is completely unknown to Ranevskaya - is also unattractive in the author's depiction. The image of the garden, which the new owner mercilessly destroys, is Russia itself. The country was launched by disorderly noblemen, and this was done by active merchants. But there is also a third type - the idealists, who, perhaps, will be able to improve the situation. One of them is Petya Trofimov. However, history shows that neither the first, nor the second, nor the third made the fate of Russia. Chekhov never found out about this, because he died the same year that the Muscovites saw the premiere of the Cherry Orchard.

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