Composition on the theme "Late Autumn" in the style of sketching-mood: style features and construction of text

Composition on "Late Autumn" is a work that you can not see now. But it should be. After all, in fact, on any topic you can write something unusual, special, unique! Because every person has his own way of thinking. And we all perceive the surrounding reality in different ways. And this is a kind of uniqueness. It is necessary to use this quality and try to express your special emotions differently than others. But first things first.

Introduction

What should be the beginning of such a work as a sketch? The composition on the theme "Late Autumn", in whatever style it is written, is obliged to have an introduction. Well, in this case, it is necessary to convey the mood from the very first lines. A good start may be about such an introduction: "The end of October. You can no longer hope for warming and start to get the sweaters hidden last winter. They are so nice to wrap themselves up in the cold late autumn. Although sometimes the sun shines. His tender rays illuminate the streets strewn with fallen leaves, reflected from the surface of the puddles ... "This will be a good start to a work such as an essay on" Late Autumn. " Immediately, the author's mood is felt, and before the eyes of the reader a picture of the described one looms.

Main part

Everyone knows that written creative work consists of three parts: entry, content and imprisonment. And if it's clear with the beginning, then what should be the main part of such work, as the composition on the theme "Late Autumn"? Here it is necessary to observe the specific nature of writing sketches-moods. It is necessary to continue the theme of calm, measured description-reasoning, applying various images, metaphors, comparisons. The reader, getting acquainted with the text, should feel something special. As if he does not read some essay, and as if sitting in a chair opposite the author, who tells him an interesting story. Dimly, in detail, philosophizing. The effect of presence is what should be in this work.

This may seem complicated, but only at first glance. The most important thing is not to overdo it with literary elements (an abundance of artistic expressions, metaphors, comparisons, epithets, etc.) and emotions. Everything should be in moderation. This is the golden rule of any author's text.

Content

In such work there should be no dry transfers, even if they are landscape ones. The author should try to convey to the reader the smell, color, atmosphere. But for this it is necessary to plunge into one's own feelings. You can write something like this: "Late autumn. Trees stand. Such naked, with long smooth trunks, on which there is no-no, and a few leaves of leaves will fly past, which are also about to fall. Silence ... There is almost no one on the streets. This is November. The coldest month of autumn. Often the sky is tightened with leaden clouds, from which then heavy cold drops begin to fall to the ground with a thumping sound. And you, walking amidst all this, begin to add a step, cowering under every drop that hits your hood. Rather home, to a warm stove, to a cup of scalding tea with a lemon. Autumn ... Not everyone loves it. And I'm on the contrary. It's hard not to agree that in all this there is a romance. "

This is a vivid example of the author's sketch. What is the essence of this essay? Thoughts! Set out brightly, interestingly, consistently. Here there is reasoning, description, comparison. All that is necessary for colorful work. It is in this style that they usually write a composition-sketch.

Conclusion

Completion is one of the hardest (for some novice authors) parts. How do I finish the sketch on "Late Autumn in the Forest"? The composition can be completed in different ways. But specifically sketch-mood - in a special way. Observing the already familiar style of conversation, conversation. Well, such a small, but rather substantial, capacious paragraph can become a good end: "Autumn is a special time of the year. It is in the fall that we are overtaken by profound meditations, overcoming memories, and we have hopes. Why? Perhaps because nature falls asleep in the fall. And in us, on the contrary, thoughts awaken ... "