Romanova Elena: the star of the Soviet cinema

Elena Romanova is an actress of Soviet cinema and theater. In the profession Elena was, in her work many interesting roles, the artist was always in demand. But her personal life was formed only for 20 years, and then there was a break with her husband. But first things first.

Acting genes

Enroll in the theatrical institute Romanova Elena decided not by chance. By the end of the school, she already had experience of performing on stage, and this occupation brought her great pleasure. Lena already knew exactly where she would go, although her mother did not particularly welcome the decision to become an actress. Mother wished her daughter another fate, she wanted her to follow in her footsteps and master the profession of an interpreter.

The girl even studied in a special school, where she studied several languages and made progress in this field, but fate can not be fooled. At the school of foreign languages there was a dramatic circle, in which Elena Romanova enrolled. She brilliantly played several roles, and the plays were staged in foreign languages. Feeling herself a real actress, the girl could no longer give up her dream. Moreover, her father explained to her that in her kind of Romanov Elena is the heiress of the countess-actress who devoted her life to the theater. Here Babkin genes appeared in the girl.

Admission to the institute and work

Having tried her hand at several Moscow theater universities, Elena was convinced that she really had the talent - she was accepted everywhere. The girl could choose which institution to go to school for. Her choice fell on the Shchukin school, which she successfully graduated and began to work by profession.

Elena Romanova - actress of the Moscow theater of satire in due time received a major role in the play "Mad Money", which was staged by Andrei Mironov. This role claimed many well-known artists, but even the director's wife was denied. Elena's talent put an end to the distribution of roles.

A family

In the life of Elena Romanova there were two great novels. The first lasted several years. While studying at the institute, the girl met an American publisher who madly fell in love with a beautiful young actress. He took care of her for a long time, called for her to marry, but, alas, their life did not work out. Due to circumstances, an American friend had to leave Russia. He constantly wrote and called the girl, but love at a distance could not stand the test, especially since a new friend appeared in Elena's life.

The well-known already popular artist Igor Kostolevsky immediately won Lena's heart. He himself fell in love, beautifully courted, made an offer, which Lena accepted without hesitation. The artists created a strong family. In the marriage the son Alexey was born. The boy grew weak, and my mother often chose between his health and work, so I had to give up roles to be next to my son. Nevertheless, still managed to act in films Elena Romanova. The filmography of the actress has more than 20 films, in which she played both main and secondary roles. These are such films as "Leave at your own expense", "Women who are lucky", "Wood grouse", "Square", "Time is money", "Moscow saga" and many others.

Life after divorce

The marriage of the actors lasted about 20 years. Then life turned everything in its own way. Igor met another woman and went to her, filing a divorce with Elena Romanova. His new wife was the French actress Consuelo de Aviland. Half a year the woman came to herself after the betrayal of her husband, but still she took herself in hand and completely went to work.

Elena began to play the main roles in the theater, again to act in films. The artist's talent allowed her to shine on stage again and again, despite the fact that there was a wound on her heart. New roles in serials, feature films, performances seem to have opened a second wind in the life of Elena Romanova. On stage, she even had to play with her ex-husband, but this can not be an obstacle for a real actress. She goes on stage and performs a role, not giving the slightest reason to suspect her of embarrassment or resentment of her husband.