Monumental painting - the most important component in the history of art

Monumental painting refers to monumental art. This includes works that are directly related to architectural structures, often placed on ceilings, walls, arches, much less often - on floors. Also included here are all kinds of murals on ordinary plaster - mural, encaustic, oil, tempera painting, mosaic, picturesque panels, painted on canvas, adapted especially for a certain part in architecture, and also sgraffito, stained glass, majolica and other forms of flat-picturesque Texture decoration in architecture.

By its nature of figurative structure and content distinguish works of painting that have the qualities of monumentality. And they are also the dominant of architectural ensembles and monumental and decorative paintings, only decorating the surface of ceilings, walls, facades, which seem to "dissolve" and "melt" in architecture. Monumental painting is also called a monumental-decorative, or a picturesque decoration, which greatly emphasizes the special decorative purpose of these paintings. The works of monumental painting (depending on their functions) are solved in a planar-decorative or space-spatial manner.

Monumental painting completes its completeness and integrity only in interaction with the common components of the entire architectural ensemble.

Monumental painting of Byzantium

Monumental painting was an important, integral part of the church buildings that were built throughout the Byzantine Empire. When the veneration of icons gained the victory, in the Byzantine churches for a long time a fairly strict system of the plot arrangement within the church buildings was established.

The themes of church paintings were inextricably linked with the architectural division of buildings. Over time, the number of scenes was increased (due to the use of a large number of apocryphal gospels). At the same time, there were paintings depicting the childhood of Christ and the Mother of God, which gave artists the opportunity to create a variety of genre scenes that had not previously been seen in church paintings. Such paintings, which illustrated the touching moments from the deep childhood of various sacred characters, softened the impression of the severity of the upper zones of the temples. The lower parts of the walls were assigned to the "pillars" of the church-figures of saints, patriarchs, martyrs. They were distributed according to this hierarchical principle - the higher and closer to the center, the more significant they occupied.

With the addition of the early Byzantine church, the style of wall painting is simultaneously formed. Her favorite technique was a mosaic that takes its origins in antiquity. Mosaicists of Byzantium enjoyed all the richness of its colorful spectrum. In their palette of bright blue, red, pink, green colors, pale lilac, soft blue hues

The mosaic was made of special colored stones. The background was of a colorless smalt. A very thin sheet gold or gold foil was laid between two identical colorless pieces.

Interior painting

The painting of ceilings in modern interior painting is very popular. In high, large rooms, ceilings are the "face" of the interior. Therefore, the ceiling painting is a powerful decorative accent, which is increasingly used by designers and architects in their projects.

Interior painting is a kind of oil painting on canvas, the main purpose of which is to decorate the interior or complement the design of the premises.

Today, a variety of decorative panels are relief and flat, they reflect any theme - from landscapes and still lifes to portraits.

In modern interiors, painting is one of the main places. Regardless of the technique in which the painting is done, the style to which it belongs, its location in space, painting allows one to emphasize the respectability and originality of the room, to give it uniqueness and solidity.