Description of the portrait of Khabarov "Portrait of Mila", written in 1974

The life of the Russian artist Valery Iosifovich Khabarov is amazing and versatile.

Life and work of VI Khabarov

The full title of the painting is "Portrait of a Girl in a Chair", she was written in 1974 by Khabarov Valery Iosifovich. The author is known not only in Russia, but also in France, Italy, Germany, the United States. The artist was born in 1944, on August 4, in the city of Michurinsk, Tambov region. The war deprived the boy of his father, so he was brought up by his mother Zinaida Dmitrievna. Valeri began to show creative abilities early, his first teacher was Platitsin A.V. On the recommendation of the teacher, the boy was taken to the Ryazan Art College in 1958. And in 1967 Khabarov VI entered the Moscow Art Institute named after VI Surikov. His training continues in the creative workshop for 1977. In the same year he marries Guryanova I. His main genre was and remains a portrait. In each of his creations, he makes a special sense. The most popular works of the artist "Portrait of V. I. Kushilova and S. A. Gonozova, written in 1989; "Portrait of a Boy", "Still Life with a Willow", "Portrait of K. Shatov", written in 1977. In the work "Portrait of a girl in a chair" much reveals the composition-description of the picture. Khabarov "Portrait of Mila" considers the apotheosis of his work. VI Khabarov also painted icons for the Ilinsk church in the city of Michurinsk. Impressive expressiveness, the depth of the Virgin is different with the baby in her arms. Most of his works are kept in the museum-estate of AM Gerasimov.

Description of the portrait of Khabarov "Portrait of Mila"

Deep meaning is filled with a portrait of Mila Holdevich. It is worth studying the description of the picture in detail. Khabarov "Portrait of Mila" sees a special angle. It depicts a girl of 12 years, reading the book with interest. The depth of the foreground is expressively emphasized by playing halftones - light and dark, bright and muffled, warm and cold. The blue armchair against the backdrop of warm shades of walls and floor, light details of the girl's clothes - everything here is presented in a single composition and harmoniously blends into the overall idea. The game of contrasts creates the impression of fullness and completeness of the image. It's amazing that the foreground is not at all opposed to the background. Much tells Khabarov, "Portrait of Mila." The composition-description of his paintings reveals the essence and meaning of his entire work. The picture has an extraordinary magnetic property. Each detail on it is impregnated with a special filling warmth and comfort. Looking at the picture, it's as if you feel how the heat spills over your body after a long winter walk, when you enter a cozy room. Description of the portrait of Khabarov "Portrait of Mila" allows you to see how the everyday genre in the picture has very successfully joined together with the portrait image of the girl.

The art of portrait

But not only did this want to convey the author in his work. Many artists paint pictures of famous people of that time. But history usually hides in the monotonous and habitual way of the common people. Habits, traditions, culture deeply penetrated their everyday life. It is believed that the portrait is the link between the past and the present. This is a mirror of history. To look at a portrait is like reading a book. By the external description of the picture one can learn a lot about the surrounding world of the depicted hero. It is no coincidence that the modern school curriculum includes a description of the picture. Khabarov "Portrait of Mila" writes in a language that is understandable to modern times.

Requirements for a portrait

A true artist always cares not only about external similarity, he tries to convey the feelings, thoughts and character of a person. Before the first stroke of the brush, the author will ask: "Who is this person in front of me? What is he like? Is he strict or kind? What does she like? What is the hero doing? What does he dream about? ". In such a genre as a portrait, you need to think through every detail, capture every facial feature, every detail of the facial expression, so that you can tell as much as possible about the person and about the history. The art of the portrait originated long ago and had a cult significance, but it separated into a separate genre in the Renaissance. But at all times, the main requirement for the portrait was the external similarity and disclosure of the essence of man.

About what the "Portrait of Mila" tells

Through the paints and canvas, the artist is able to capture the glitter of the eyes, blush or pallor. On them it is possible to draw conclusions about the mood of the person depicted and to come into contact with his inner world. An experienced master, in addition to the image on the canvas, will always give vent to the imagination for the viewer. So in the film "Portrait of Mila" you can think about much. Description portrait Khabarov "Portrait of Mila" allows you to see the focus on the girl's face, which indicates a great passion for reading. We can assume that the girl is fond of figure skating and just recently came either from a training session or from a skating rink, where she had fun with friends. Carelessly lying skates talk about the rush with which the girl sat down for the book. A fascinating plot is read in the eyes of the girl. Perhaps this is an adventure novel or a historical narrative about the exploits of knights.

Imprinted thoughts of VI Khabarov

If you carefully consider the description of Khabarov's Portrait of Mila, you can see the special depth and significance of the picture for the author. On the girl's home clothes - a T-shirt and jeans. Her fair hair is scattered over her shoulders. She is an ordinary girl of our time. Nobody so accurately portrayed the enthusiasm of youth, their constant employment, like Khabarov, "Portrait of Mila." The composition-description of his work allows us to understand much. In the general composition of the picture it is read that the author reflected himself as a child. Perhaps this is his desire and dreams, or sadness about the past childhood - the most carefree period when you can safely read the book you are interested in and walk with friends. This is the time of real personal freedom, flights of thoughts and fantasies. When even an ordinary blue amber armchair with legs, standing in the corner of the room, becomes for you your own world, to which you go to be alone with yourself. The description of V. Khabarov's painting "Portrait of Mila" has a special meaning. Creative personalities have their own subtle vision of the world. Therefore, in the picture of VI Khabarov imprinted those important moments that we eventually lose sight of and cease to appreciate. This time of children's thoughts, uncomplicated by extraneous emotions, and reflecting only your vision of the world.