Conflict in literature - is that a concept? Types, types and examples of conflicts in literature

What makes the reader look at the first page of a work of art? Someone picked up a book because of the author's name, someone attracted a catchy or provocative title of the story or novel. So what is next? What can make read page after page, impatiently "swallowing" printed lines? Of course, the plot! And the more sharply it is twisted, the more painful the experience of the characters, the more interesting the reader is to follow his development.

The main component of an ideally developing plot is conflict, in literature it is a struggle, opposition of interests and characters, different perceptions of situations. All this creates a relationship between literary images, behind him, as a guide, the plot develops.

Conflict definition and how it is applied

It is worth more to consider such a concept as conflict. The definition in the literature of a specific form, a peculiar reception reflecting the confrontation between the characters of the main characters, their different understanding of the same situation, the explanation of the reasons for their feelings, thoughts, desires in similar or the same circumstances is conflict. In more simple terms, it is a struggle between good and evil, love and hate, truth and lies.

The clash of antagonisms we find in every artwork, whether it's a short story, an epic saga, a landmark novel or a play for a dramatic theater. Only the presence of conflict can set the ideological orientation of the plot, build a composition, organize a qualitative relationship of opposing images.

The ability of the author in time to create a conflict situation in the narrative, to impart the opposite images with vivid characters, the ability to defend their truth, will necessarily interest the readers and make the work finish reading. From time to time it must be brought to the highest heat of passion, create insoluble situations, and then allow the characters to successfully overcome them. They must take risks, get out of their way, emotionally and physically suffer, causing readers a whole heap of all sorts of emotions from tender affection to profound condemnation of their actions.

What should be the conflict

True masters of the artistic word allow their characters to have and defend their point of view, to deeply enthrall the readers with their different moral values in the net of their feelings and reasonings. Only in this case, the army of admirers of the work will grow and be replenished by lovers of the artistic word of different ages, different social strata, all levels of education. If the author succeeded in capturing the attention of readers from the first pages and keeping him on one plot or ideological confrontation to the final point - praise and honor of his pen! But this happens infrequently, and if conflicts in the works of literature do not grow like a snowball, they do not involve new characters in their decision, already with their difficulties, neither the novel, nor the novel, nor the play of even the most famous Author.

The plot must dynamically twist up to a certain point, giving birth to the most incredible situations: misunderstanding, hidden and obvious threats, fear, loss - constant dynamics are necessary. What can it create? Only a sharp turn of the plot. Sometimes it can be caused by the unexpected discovery of a revealing letter, otherwise - by the abduction of irrefutable evidence of someone's truth. In one chapter, a hero can witness a crime or a piquant situation, in another - he himself becomes the culprit of something ambiguous. In the third, he may have suspicious patrons, of whom he does not know anything, but he feels their presence. Then it may turn out that these are not patrons at all, but hidden enemies from the environment close to him, who are always nearby. Let sometimes examples of conflicts in literature seem banal, far-fetched, but they should keep the reader in constant tension.

The impact of conflict on the severity of the plot

Individual sufferings and ordeals of the main hero of a work of art can provoke interest and sympathy only for the time being, if secondary characters of the narrative are not involved in the conflict. The opposition must be deepened and expanded to give the novelty, brightness and sharpness.

Sluggish reasoning, even if of high feelings and holy innocence, can cause the reader to irritate the boring pages with annoyance. Because ideology is, of course, wonderful, but if it is clear to everyone and does not give rise to a bunch of questions, then it will not be able to inspire anyone's imagination, and we, when we pick up a book, need bright emotions. Conflict in literature is a provocation.

It can be given not so much as a heap of incomprehensible situations, as the clear and precise goal of the characters, which each of them carries through the whole work without betraying it, even when the writer throws his characters into the very heat of passion. Any of the warring parties should contribute to the development of the plot: some of their wild, unsuspecting tricks infuriate the reader, others - to calm him by the judiciousness and originality of the actions. But all together should solve one task - to create sharpness to the narrative.

Artwork as a reflection of conflict situations

What else, except the book, can tear us out of everyday life and saturate her with impressions? Romantic relationships, which sometimes is not enough. Traveling to exotic countries, which reality can not afford to anyone. Exposures of criminals hiding under the masks of law-abiding and respectable citizens. The reader searches in the book for what concerns him, worries him and interests him most of all in a certain period of time, but in real life nothing like this happens to him or his acquaintances. The topic of conflict in literature replenishes this need. We will find out how all this happens, what is felt at the same time. Any problem, any life situation can be found in books and the whole gamut of experiences to shift to yourself.

Types and types of conflicts

Several characteristic conflicts are clearly expressed in the literature: love, ideology, philosophy, social, symbolic, psychological, religious, military. Of course, this is not a complete list, we took only basic categories for consideration, and each of them has its own list of iconic works reflecting one or more of the listed types of conflict. Thus, the Shakespeare poem "Romeo and Juliet", without going into demagogy, can be attributed to a love type. The relationship between people, based on love, is shown in it vividly, tragically, hopelessly. The nature of the drama reflects this work as no other more in the best traditions of the classics. The plot of Dubrovsky does not repeat the main theme of Romeo and Juliet, and it can also serve as a typical example, but we remember Pushkin's beautiful story after the most famous drama of Shakespeare.

It is necessary to mention other types of conflicts in the literature. Speaking of the psychological, we recall the Byron "Don Juan". The image of the protagonist is so contradictory and so vividly expresses the internal confrontation of the individual, that it will be difficult to imagine a more typical representative of the said conflict.

Several plot lines of the novel in the poems "Eugene Onegin", masterfully created characters are typical for love, and for social and ideological conflicts. The clash of different ideas claiming to dominate one over the other and vice versa, pass through virtually every literary creation, wholly drawing the reader into both its story line and the conflictual one.

Coexistence of several conflicts in fiction

In order to more specifically consider how conflicts are applied in literary works, species are intertwined, it is more reasonable to take for example the works of a large form: Leo Tolstoy's War and Peace, The Idiot, The Brothers Karamazov, The Possessed by F. Dostoyevsky, Taras Bulba "by N. Gogol, the drama" Doll House "by G. Ibsen. Each reader can create his own list of novels, novels, plays, in which it is easy to trace the coexistence of several confrontations. Quite often, along with others, the conflict of generations in Russian literature is vznnechaetsya.

Thus, in the "Demons" an attentive prospector will find a symbolic, love, philosophical, social, and even psychological conflict. In the literature, this is almost everything on which the plot holds. "War and Peace" are also rich in the confrontation of images and ambiguity of events.The conflict is laid down even in the very title of the novel.Displaying the characters of its heroes, one can find a Don Juan psychological conflict in every one.Pierre Bezukhov despises Helen, but he is captivated by her brilliance. Love for Andrei Bolkonsky, but goes on about the sinful attraction to Anatoly Kuragin.Social-domestic conflict is guessed in Sonya's love for Nicholas Rostov and the involvement of the whole family in this love.And so in each chapter, in each small o A snatch it all together -. immortal, great product, which has no equal.

Vivid pictures of the confrontation between generations in the novel "Fathers and Sons"

No less admiration, like "War and Peace," deserves a novel by I. Turgenev "Fathers and Sons." It is generally accepted that this work is a reflection of the ideological conflict, the confrontation between generations. Undoubtedly, the superiority of one's own ideas over those of others who, with equal respect, are defended by all the heroes of the story, is a confirmation of this assertion. Even the existing love conflict between Bazarov and Odintsov fades against the background of the irreconcilable struggle of all the same Bazarov and Pavel Petrovich. The reader suffers with them, understanding and justifying one, decrying and despising the other for his beliefs. But each of these heroes has both judges and adherents among the fans of the work. The conflict of generations in Russian literature is nowhere more pronounced so clearly.

The war of ideas of representatives of two different classes is described less clearly, but from this even more tragic is Bazarov's opinion with respect to his own parent. Is not this a conflict? But just what - ideological or still more social? In one way or another, it is dramatic, painful, even terrible.

Created by Turgenev, the image of the main nihilist from all existing works of art will always be the most controversial literary character, and the novel was written in 1862 - more than a century and a half ago. Is this not proof of the genius of the novel?

Reflection of social and domestic conflict in literature

In a few words, we have already mentioned this kind of conflict, but it deserves more detailed consideration. In the "Eugene Onegin" of Pushkin, he is uncovered in such simple words, so clearly stands before us from the first lines of the work, that nothing else dominates over him, even Tatiana's painful love and Lensky's untimely death.

"Whenever I want to limit my life with my family ... What can be worse than family in the world ...", says Eugene, and you believe him, you understand him, even if the reader has other views on the subject! Such unlike personal values of Onegin and Lensky, their dreams, aspirations, images of lives - cardinally opposite - reflect nothing more than exactly the social and domestic conflict in literature. It is a reflection of two bright worlds: poetry and prose, ice and flame. These two polar opposites could not coexist together: the apotheosis of the conflict is the death of Lensky in a duel.

Philosophical and symbolic types of conflicts and their place in fiction

As for the philosophical conflict, it is more ideal than the works of Fyodor Dostoevsky to study it from the first minutes and you will not remember. "Brothers Karamazov", "Idiot", "Teenager" and further on the list of the immortal heritage of Fedorov Mikhailovich - everything is woven from the finest philosophical threads of reasoning of almost all the characters of his works without exception. Dostoevsky's works are vivid examples of conflicts in literature! What is the depraved (but for the heroes quite common) theme of adultery, passing through the entire novel "The Possessed", and especially pronounced in the long forbidden chapter "At Fedor". The way in which these attachments are justified and explained is nothing more than an internal philosophical conflict of characters.

A vivid example of symbolism is the work of M. Maeterlinck "The Blue Bird". In it, reality dissolves in the imagination and vice versa. The symbolic reincarnation of faith, hope, own conviction in a mythical bird is a plot exemplary for this kind of conflict.

Also symbolic are the windmills of Cervantes, the shadow of Hamlet's father in Shakespeare, nine circles of hell in Dante. Modern authors use little symbolism as a conflict, but they are full of epic works.

Types of conflicts in the works of Gogol

The works of the greatest writer of Russia and Ukraine are saturated with a brightly marked symbolism with its features, mermaids, brownies - the dark sides of human souls. The story "Taras Bulba" differs markedly from the majority of Nikolai Vasilievich's creations by the complete absence of otherworldly images - everything is real, historically justified and by the intensity of conflicts, it is not inferior to that part of fiction that exists in every literary work to some extent.

Typical types of conflicts in literature: love, social, psychological, the conflict of generations can be easily traced in Taras Bulba. In Russian literature, the image of Andrias is so verified as an example, on which they are tied, that one does not have to go into explanations once again, in which scenes they are traced. It is enough to reread the book and pay special attention to certain moments. Conflicts in the works of Russian literature are used for this.

And a little more about the conflicts

There are many varieties of conflict: comic, lyrical, satirical, dramatic, humorous. These are the so-called pathos species, they are used to strengthen the genre stylistics of the work.

Such kinds of conflicts in literature as plot-religious, family, interethnic-pass through works corresponding to the conflict of the theme and are superimposed on the entire narrative as a whole. In addition, the presence of this or that confrontation can reflect the sensual side of a novel or novel: hatred, tenderness, love. In order to emphasize some aspect of the relationship between the characters, they sharpen the conflict between them. The definition in the literature of this concept has long been clear-cut. Confrontation, confrontation, struggle is used when there is a need for a more vivid expression not only of the nature of the characters and the main storyline, but also of the whole system of ideas reflected in the work. The conflict is applicable in any prose: child, detective, female, biographical, documentary. All types and types of conflicts can not be listed, they are numerous as epithets. But without them no creation is created. The plot and conflict in literature are inseparable.