Alexander Fuchs: biography, photos and interesting facts

Soviet and Russian cameraman, in all respects genius, as well as all his colleagues, loud glory and love of viewers did not get. Most of all, actors received it, slightly less - directors, and operators - they are always behind the scenes, even such magnificent ones as Alexander Fuchs. He received the TEFI prize deservedly and for a long time prepared in his creative workshop high-class professionals in VGIK. In the corridors of the domestic television and cinema, to this day, this name is reverently revered - Alexander Fuchs.

Biography

His biography, like that of any creative person, is surely full of interesting events, searches, accomplishments, but even his curiosity will not satisfy his interest. They will get dry numbers: Alexander Fuchs was born in Sukhumi in June 1948, in an intelligent Jewish family. I wanted to become an economist, like my father, a doctor of science in this field, but art led me. Entered the Moscow State University at the Faculty of Economics and until 1967 he studied there, constantly combined his studies with the economy with creative courses on television. This decided his fate.

On Central Television, he began work in 1966. And almost immediately the name Alexander Fuchs became synonymous with the word "quality", although negligent workers in those days not only on television, but generally did not keep anywhere. The most industrious, the most talented gathered there. Operator Alexander Fuchs himself recalled the years of his work in one of the interviews (almost the only one) and insisted that he was just lucky. "Everything was owned by the craft, but you can get a public resonance with a very popular program - some people can not take it," said Alexander Fuchs. Colleagues' reviews say the opposite.

The Voroshilov program

Even now the program "What? Where? When?" Has a high social significance. She is watched and loved, she has her own fans, and there are quite a few of them. In the first decades, it invariably produced an all-Union success, and the streets became empty during its ether. It was done extremely tightly, every stroke was verified, that's why this reaction of the audience. In Voroshilov's program they were literally in love. Alexander Khaimovich Fuchs by the time the program was created was already well known in his circles, and Voroshilov was an extremely demanding man. It is because of the operator, on which the quality of the transmission depends, he chose the best of the best.

List all the works that Alexander Fuchs did magnificently, the cameraman from God, is simply impossible - there are a lot of them. But some can call it all the same. This "Kinopanorama", no less beloved by the audience, is a funny "Zucchini of 13 chairs", it's "Artloto", "Funny starts", "Alarm clock", "It's you can", "With a song in life", "City of masters". .. Many people who come from the USSR, perfectly remember these programs, and pictures from each helpfully stand in front of their eyes. Voroshilov in 1975 came already clearly a master - Alexander Fuchs, reviews of which have always been beyond praise.

Start

When Fuchs, a young man who was eleventh-grader, already made good money, filming an amateur camera, editing and supplying little stories for television in the News Relay, no one, including Alexander himself, assumed that this was his purely professional activity . The reporter's network of television was not branched then, it was going through its formation, and the stories of the young man, who turned out to be, at the source, went on the air just to cheer.

The pope, however, insisted on economics, and the son obediently entered the Moscow State University. While his older brother was already working as a cameraman, to the envy of the younger. Then on the Central TV the creative courses of the operators were opened, where Alexander Fuchs, the cameraman in the future, passed all the exams "perfectly".

Learning

Combining the economy with creativity was only a year. Then the university was abandoned, and all energy, all selfless love for the future profession were transferred to creativity. And now - the courses are brilliantly finished, but still want to learn. Alexander Fuchs was born an operator and was well aware of what he would not be missing in a truly creative work. He returned to Moscow State University. But - on philology.

To give such an ideal "picture", you need to be a person diversified, re-read a huge amount of literature, visited all available museums, theaters and concert halls. It was to such a wide education Alexander sought.

Operator

There were a lot of work, the programs were the most diverse: from Alla Borisovna Pugachyova's Christmas Meetings to the frivolous Empire of Passion with Nikolai Fomenko, where players signed to lose their pants in case of a loss. Alexander also noted in the "KVN". These were the last before the closing four programs, submitted to the record, the old good club.

Fourteen years later, in 1986, the game resumed, and Alexander returned there as an operator-director - in tandem with the director. Usually such pairs are quite tightly interconnected, and therefore, after several seasons the director left this site, Fuchs was forced to leave too. Game programs he liked to shoot, and the rest of his life was based on them: "Love at first sight," "What? Where? When?" And, of course, the "Brain-Ring".

Behind the scenes number one

In a few minutes, the shooting will begin. Operators are in a hurry to prepare their cameras for battle. Do not just throw the tool on your shoulder, but first glue it to some thick foam rubber bands. Why - it is clear. The professional camera weighs about thirteen kilograms, besides - they are so balanced that it is extremely inconvenient to wear them. Even after a short reportage, the shoulder whines, and if it takes two consecutive weeks for six to eight hours, for example, "Brain Ring"?

Operators are very hardy people. And they do not have excess weight. Alexander used all his life the same technique. It was purchased in the Soviet era and was not updated in Ostankino, where it had to be rented, until very recently. But "Brain Ring" is a marathon. With this equipment, heavy and morally obsolete, you need to run around the stands.

Behind the scenes number two

A bundle is an operator with a camera and an assistant with a cable. The operator is running, sometimes spinning, occasionally bouncing. The assistant drags behind him a heavy bay, moving at the same speed, but squatting - "goose step". Rather, running. In order to not accidentally get into the frame of another camera, of which there are several on each program. Cordless cameras are expensive. By the 2000th year in Ostankino there were only three of them: in the Republic of Tatarstan and in RIA Novosti. The rest of the operators worked this way - in a bunch. And if Alexander Fuchs in a short time, all the clothes were completely wet with sweat, his assistant was off-screen even deeper, and no one would ever be interested in what he felt there.

The cable to imported cameras is also suitable only for imported cameras, which was originally purchased. Gradually, he worn out, because from a hundred meters of it there was something about fifty. Easy. However, Alexander Fuchs was not happy: there are fewer opportunities. With a hundred meters, you can run for the hero not only into the corridor, but also to the street, and now the distance is limited. And the most interesting is that it's harder to shoot "What? Where? When?", Although it's not necessary to run far away. A higher level of skill is needed, refinement, quick reaction. "Brain-ring" requires a huge physical load with its large area and the number of objects. However, Alexander Fuchs almost equally loved both programs - almost to self-oblivion.

In frame

And in the frame there was only skill with a unique creative manner and recognizable handwriting. His camera, as if alive, instantly reacted to any detail, not to mention the event on the court. She was constantly in search of movement, and therefore managed to grab the most emotional, the most dramatic of what is happening faster than the rest.

Peering into the faces, the camera helped distant spectators to visit the participants of this action, with its rivalry, an atmosphere full of emotions until the explosion. And at the same time - the most subtle, subtle and subtle nuances in the heroes' experiences, each breath of many thousands of spectators standing in the stands - all this inspired, capacious and accurately conveyed the camera of the famous Alexander Fuchs. And so twenty years in a row only on this one unique game with "experts".

Highest category

But, in addition to the main game of his life, Alexander Fuchs did a very, very much, having by 1989 the highest category in his profession. TV viewers could not fail to see the programs created by him: five years of festivals in Jurmala, "Christmas meetings", "Magnificent Seven", "Love at first sight", "New Year's lights", and many works that can not be listed in full. However, a special word is exclusively made by qualitatively made live broadcasts of Easter and the Nativity of Christ. Worked Alexander Fuchs and with a variety of television movies and performances, where the sample can be called "Faust" by Mikhail Kazakov.

In all, without exception, the projects of the TV company "Game-TV", he was noted as the leading operator. When in 2001 on June 21, there was a car accident in Cyprus, in which Alexander Fuchs died prematurely, everyone connected with him on one site on television for a long time did not know how they would continue working. They buried him at the Vagankovskoye cemetery, handed the widow and son the TEFI prize posthumously (nomination "Operator") and still can not be satisfied with the result of their work. The fire was extinguished, covering everything around him with his talent, lighted hearts, empathized and all-seeing. "Good night, kids," and "Kinopanoramu" no one filmed better.

Reviews

Those who have at least once seen how Fuchs works, will never forget this. The viewers of the operator can not see, but they look with his eyes. The "experts" say: "Fuchs is the fluidity itself, it's all like water." The man is mobile, lean with a heavy camera on his shoulder, dancing incessantly in his soaked shirt and jeans: he simply performs incredible kulbits: falls to the floor, jumps on tables and chairs So abruptly that the clothes are torn. "

Voroshilov, before he invited Fuchs, for two years managed to drive out four operators, but not even because they are not talented enough or unscrupulous, not at all. He was not satisfied with the creative results. The transfer with the "experts" he came up with himself, he also developed. That is, Voroshilov is not just a director. He needed a man capable of translating his idea into what he had seen him. When Fuchs came, it was successful. Even more. The creative group immediately lost its former instability, from that moment the collective became cohesive and unshakable, which almost never happens for the overwhelming majority of directors on television.

Interesting fact

Voroshilov worked with people, this is a very rare quality. When he "watched" Fuchs, the latter has not yet outlived the youthful maximalism, he was far to the thirtieth. In any case, at this age, there are practically no authorities among young people. Being from the very beginning among colleagues in the group of leaders, Alexander Fuchs, a cameraman from God, already felt his weight class well. Voroshilov counted it and began to talk with him, not even as an equal - as with a coryphaeus!

To such a "purchase" Alexander, of course, pecked. The program by that time had not yet become popular, almost nobody knew it, but Fuchs agreed. And not lost! With his arrival, the very concept of submitting material began to change significantly, and very quickly the "experts" won both the minds and feelings of their viewers, and the program itself opened a long series of indisputable merits. The scenography changed, the camera became surprisingly "emotional", the shooting took place as if in one breath, a single thread, even when it was done in the recording. That's why "connoisseurs" so easily switched to live broadcast.