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Tatyana Lioznova: the most famous films

Tatyana Lioznova - the creator of the legendary image of Shtirlitsa - took off in her career only nine paintings. But the work of this director entered the history of the national cinema. What is the success of the films that Tatyana Lioznova created?

Biography

The heroine of this article in her youth did not plan to associate her life with the cinema. Lioznova Tatiana Mikhailovna was born in Moscow in 1925. Father died during the Great Patriotic War. After graduation Tatyana entered the aviation institute. But I studied for only six months. After the first semester, Tatyana Lioznova took the documents from the institute and entered the VGIK.

What influenced the change in the views of a nineteen-year-old girl is unknown. But there is information that from the Institute of Cinematography it was wanted in the first year of schooling to be expelled. After all, the life experience is important in the profession of the director, that is, what a young lady from an intelligent Moscow family could not have.

But Lioznov was not expelled. And already in the third year, the teachers took her to the category of the most gifted students of the director's department. After graduation, Tatyana Lioznova was sent to the Gorky film studio. But soon she was fired. For a while the novice director acted as assistant. A significant role in her work was played by the famous teacher S. Gerasimov.

Music

Tatyana Lioznova is a director who never repeated. In all, she sought to find something new. In her film, even the main voice of the Soviet stage - the voice of Joseph Kobzon - sounded differently. Lioznova invited the famous artist to record the song for his painting. From Kobzon, she demanded what seemed to him absolutely meaningless. Namely: to sing so that his voice becomes unrecognizable. Despite some differences between Lioznova and Kobzon, the composition was recorded.

A huge role in the paintings of this director was played by musical compositions. Most of them turned into hits.

Actors and roles in the films Lioznova

In the work of the director one of the most difficult tasks is the selection of the cast. The heroine of this article has always solved it brilliantly.

On the role of Hitler in the film "Seventeen Moments of Spring," Lioznova invited a German artist who by the end of the seventies had managed to play the Fuhrer in dozens of films. But few know today that Leonid Kuravlyov tried this role for the role. The image of Hitler, of course, was beyond his power. However, according to Kuravlyov's opinion, Lioznova understood this from the very beginning. In the filmography of Kuravlev before the start of the filming of the legendary series, there were mostly the roles of simple village boys. After such images, it would be extremely difficult to play a German officer. Assays on the role of Hitler have become a kind of preparation, a way to distract from previous works. From the director's point of view, it was a brave step - to give Kuravlev, in the filmography of which only the role of simpletons, the role of the fascist.

Tatyana Lioznova never was afraid to invite in the films of little-known actors or those behind which the certain type was fixed. This director has always been able to see what other colleagues could not do. On the role of the hero, who in one of the series says the legendary phrase: "Stirlitz, and I ask you to stay," Tatyana Mikhailovna approved the little-known Leonid Bronevoy. It is worth saying that, inviting this artist, Lioznova changed her principles. After all, she shot even in the episodes of only the famous actors.

About the history of creating the painting "Seventeen Moments of Spring" you can say endlessly. Each role in this film is a whole story. I should say a few words about other works of Lioznova.

Filmography

Prior to the release of the series based on historical events, the pictures "Evdokia", "Early in the morning", "He obeys the sky" were created. A special place in the work of this director is the film "Three Poplars on Plyushchikha." Tatyana Lioznova's films are devoted to different topics. It's hard to believe that a lyric story and a series about a Soviet intelligence officer was filmed by one filmmaker.

After the famous multi-series film, Lioznova took the following pictures:

  1. "Carnival".
  2. "We, the undersigned".

"Three poplars on Plyushchikha"

The picture tells of an accidental encounter between a native Muscovite and a married woman who came to the capital from a deep province. Just one day changes their outlook on life. A feeling is born that will only complicate the lives of the heroes of lyrical history. The film "Three poplars on Plyushchikha" tells not about love, but about loneliness, which a person experiences even in the circle of loved ones. This picture was included in the gold fund of Soviet cinema.

"Carnival"

This film is a comedy musical with a classic storyline. A girl from the province leaves for the capital. In Moscow, she fails to take entrance exams to a theatrical high school. After some time she returns home, matured and wise by experience. The creation of the musical was an event rather unexpected and risky. First of all, because in this genre Tatyana Lioznova did not work before. But she succeeded as well. The film won the love of millions of viewers.

Lioznova made films that everyone could understand. At the same time, she used techniques previously unknown to domestic filmmakers. And that's why her pictures beat all possible records in the number of views.

Lioznova Tatiana Mikhailovna passed away in 2011, after a long illness. She was buried in Moscow, in the Don Cemetery.

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