Muddy Waters - Biography and Creativity

Today we will talk about who is Muddy Waters. His biography will be discussed in detail below. Without the reciting powerful voice of this man, as well as his piercing guitar parts, perhaps Chicago would not have become such a musical city.

early years

Our hero today played a unique blues. Muddy Waters had a great vocals. The future musician was born in 1915, on April 4, in a town called Rolling Fork. He started studying the harmonica playing from his youth. In addition, I got carried away by the guitar. It happened under the influence of the music of Charlie Patton, Robert Johnson, and also San House. The latter was the idol of our hero and mighty bluesman. Our hero without outside help learned the guitar style of Battle-Nek. He put on the middle finger a specially cut neck from the bottle and learned to ride it with a ringing on the strings of the guitar. It was a fairly common reception among street guitarists of the town in which our hero grew up.

Debut

In 1941, a musicologist-folklorist named Alan Lomax, on behalf of the Library of the US Congress , traveled the Mississippi. His task was to find especially talented musicians. When he saw how Muddy Waters played, he realized that he had come across an extraordinary talent. Using a portable sound recording equipment, Lomax preserved for the library of the Congress a unique performance by our blues hero called I Be's Troubled. Subsequently, this composition was the first bestseller of the musician. A few years later, our hero re-recorded this work in a studio called Chess Records and gave her the name I Can not Be Satisfied.

Chicago

Muddy Waters in 1942 was already famous for masterful performance of various blues in the Mississippi Delta, but he dreamed of becoming a star. So I went to Chicago. He worked, at the same time sang, and also played in clubs. There the musician got acquainted with Big Bill Brunzi. Our hero quickly bought an electric guitar and proceeded to perform some extremely sharp, even slightly fierce, folk-blues. Framed in an electric guitar hard rhythm, he left a deep impression. In the south of Chicago his skill was quickly noticed.

Studio

Muddy Waters performed in clubs with Blue Smitty - guitarist, as well as pianists Eddie Boy and Sunnilland Slim. The latter was able to play a significant role in the creative life of our hero. The pianist invited Waters in 1947 to accompany him during the session of the recording studio Aristocrat. The project was produced by Johnson Machine Gun. On the eve of the concert our hero had a problem. The recording was to take place on his working day, and at that time he was engaged in installation of lifting louvres. However, our hero realized that the golden opportunity was escaping him. Therefore, I was forced to lie to the head that his cousin was killed and he needed to leave for a while from work.

Creation

Muddy Waters after the end of the performance, Sandiland performed several of his compositions. These were unprocessed things. They differed significantly from the compositions that our hero recorded later in the studio of Columbia. However, these works could no longer be called simple.

Our hero created the band, she was so violent and explosive during performances that she got the nickname "Headhunter", which means "Bounty hunters". The collective could come to the bar, in which some team played, ask to listen, after getting permission to speak. Then they "tore off their heads" to their competitors in a unique performing manner.

Lester Melrose is a producer who at that time owned one of the local recording studios. He was confused in 1946 when he accompanied Waters. In small clubs, the guitar of our hero was heard badly, so he decided to attach it to the amplifier and strengthen the sound.

The Polish settlers, who were brothers Phil and Leonard Chess, bought a recording company called "Aristocrat". It happened in 1947. They did not understand the harsh and even rude music that Muddy Waters created. His albums appeared under the brand Aristocrat, as the brothers saw in the sound something close to the inhabitants of the Chicago ghetto. The first singles liked a few. The second record I can not Be Satified can be considered an exception, since all its circulation was sold for a day. The blues composition titled I Can not Be Satisfied evolved into a local sensation, thanks to Big Crawford and the hoarse growl of Waters. Subsequently, even the performer himself spent a lot of effort and time to get this record.

With the seeming lack of success of the first works of our hero, the Chess brothers changed the name of the company to Chess Records and ventured to bet on electric blues. Calculation of them eventually worked.

Next, consider the studio albums, on which our hero worked. In 1958, he recorded the record The Best of Muddy Waters. In 1960 there were 2 albums at once. They were called Brass and the Blues and Muddy Waters Sings Big Bill Broonzy. In 1961 appeared the record They Call Me Muddy Waters. In 1964 the album Folk Singer was released. Together with Little Walter and Bo Diddley, our hero in 1967 released the work of Super Blues.