Analysis of the fables of Krylov: unobtrusive morality

It is difficult to find a person in our country who does not know even a line from the fables of Ivan Andreyevich. Simple for perception, touching and sarcastic is his style, and the analysis of Krylov's fables is nothing more than the opportunity to plunge into a variety of types and situations, just what century, you can not immediately say. Images are ordinary and recognizable even in our century, because the essence of man does not practically change. And this despite the fact that part of the fables is nothing but the translation of the works of Lafontaine and Aesop, only the character's characters are so close that they are even lost: are fables written in the 6th century BC?

Already in primary school these works are studied. The writer's syllable is so easy that it allows even first-graders to study and analyze them. Krylov's fables are many. We teach them by heart, they are interesting and instructive. Simple for the perception and psyche of young children. But do not talk about the first Russian fabulist, as an author who wrote exclusively children's entertainment stories. The themes of Krylov's fables are so diverse and often complex that they do not fit into the framework of a children's fairy tale.

Many critics rightly notice the so-called "Russianness" of the manner of textual presentation, a little fanciful, but it is rather taunting. Analysis of the fables of Krylov gives us the opportunity to evaluate the non-standard narrative of stories, the sage's view from the outside. There is a statement of facts, without trial and effect, the reader must make his conclusions, perhaps relying a little on the caustic remarks of the witty narrator.

A person who did not receive a traditional classical education, early left without a father (who, nevertheless, managed to instill a craving for the child and love for books), was able to cultivate his own perception of reality. A lot of time spent the author among ordinary people, perceiving the style of thinking, the manner of communication, the mentality (formerly would say - the soul) of his people.

Ivan Andreevich Krylov, whose fables we are discussing, was not ordinary not only in terms of the mind, but also in everyday life differed from those around him. I was famous for my slovenliness, laziness and did not hide my love for food. Even at the reception at the Empress could not restrain her "manners", introducing those present in amazement.

For the sake of justice, it must be said that he did not immediately become a sought-after author. With work, people who were lazy by nature always had difficulties, and a keen style of expressing thoughts gave the authorities a reason not to feel favor with him. But a kind disposition and a slightly ridiculous perception of life bribed the people who knew him, which eventually resulted in a great love and corresponding honors to the author, which became acceptable even at the court.

If we draw a parallel to the current genres of satire, then we can talk about the association of the poet's work with contemporary humorous art "stand up". The authors deride the shortcomings of society with the only difference that Ivan Andreyevich did it much more skillfully. Analysis of the fables of Krylov allows you to draw such conclusions. A subtle, sarcastic description of human vices, not so much for the purpose of making fun of, but for the purpose of stating a fact, enable readers to assess the situation. Moreover, the statement in verse, you see, is not available to everyone, and even such that, even after centuries, we are happy to quote the winged expressions from immortal fables.